脉之形体长而圆,如以水贯葱叶中,有长有短,有大有小,有虚有实,有
缓有紧。(长短以纵言,大小以广言,虚实以蕴积言,缓紧以张弛言。)
长 溢出三指之外为长。
短 歉于三指之中为短。
按寸口之脉,由胸中行至大指端,非有断截,本无长短可言。然脉体有现
有不现,不现者按之止见其动于三指之内,现者见其长出于三指之外,则长短宜分
矣。(高鼓峰云∶有形体之长,有往来之长,往来之长,谓来有余韵也。按高说甚善,长
短虽本言形体,而凡脉之
以神气悠长为贵者,固可因此说而想见其状矣。)
大 大而盛于浮分,名洪;大而散漫渗开,脉与肉无界限,名散。
小 与大相反,一名细,细甚无力名微。
虚 虚,不实也。虚甚则中空,名芤。
实 实,结实之谓。实如按猪筋,虚如按灯心,芤如按葱。旧谓浮中沉皆有力
为实,皆无力为虚,浮沉皆有力,惟中无力为芤,虽未尝不是,然尚非正解。(实如葱
中水充实,虚则不充,芤者尤其不充者也。)
缓 柔软之意,甚则失之软弱,而名软名弱。旧以缓属迟,盖缓兼两义也。
紧 即搏急,与缓相反。如张弦,如引绳,两头牵紧,必挺劲抗指,紧不甚,
名弦。弦紧而大者,名革牢。
长短有得于禀赋者,筋现者脉怕长,筋不现者脉怕短也。有随时令变异者,则
春脉长,而秋脉短也。有因病而变异者,则邪气长而脉长,正气短而脉短也。
大小有得于禀赋者,世所谓六阳六阴也。(生成脉大者名六阳脉,小者名六阴脉。)有随时令
变异者,时当生长则脉大,当收敛则脉小也。有因病而变异者,邪有余则脉大,(邪
气壅满。)正不足则脉小也。(血气衰少。)
虚实亦有得于生成者,肉坚实者脉多实,虚软者脉多虚也。亦有变于时令者,
春夏发泄,虽大而有虚象;秋冬敛藏,虽小而有实形也。若因病而异,则大而实,
(不特壅满,而且积实。)小而虚者,(不特衰小,而且空虚。)可验正邪之主病。(俱盛邪盛,俱衰正衰。)大
而虚,(气有余,血不足,如葱中少水,但吹之使胀也。)小而实者,(血能充,而气衰不鼓。)
可验阴阳之偏枯。
紧缓有得于生成者,皮肤绷急者脉多紧,宽松者脉多缓也。其变于时令,则天
气严凝而筋脉收引,天气暄热而筋脉弛纵也。其因病而变者,则或外感风寒,或内
伤生冷,寒胜故脉收引,而紧急有力。或热或湿,筋脉纵弛,而软弱无力也。
附∶洪、散、微、芤、弦、革、牢、软、(旧作 ,又作濡。)弱各脉。
洪 洪即大耳。旧以洪为来盛去衰,是大之盛于浮分者也。
散 脉形本圆敛,今散漫不收,似大而实非大,盖虚甚而四散者也。
微 古以微属浮,细属沉。分微为阳衰,细为血少。本集各脉皆直指本义,故
以细甚无力为微。
芤 脉虚而且中空者。芤,慈葱名。如卧葱管于指下,轻取重取皆有,而中取
则无,此为失血之脉。
弦 似紧而略逊,但稍见抗指即是,不若紧之搏手。凡弦紧之脉,由外邪而致
者,犹易为治,由正虚而致者,则难为功。盖脾胃虚败,中和之气,化为劲急,土
败木贼,不可救矣。古人有时以长为弦,如谓春脉弦,而言其软弱直长,是弦即长
也。今分为二,则弦自有急劲之意,不仅长而已。
革牢 弦大迟而浮虚者为革,如按鼓皮,内虚空而外绷急也。弦大迟而沉实者
为牢,寒气深痼,如牢狱也。
软弱 皆柔缓之甚而无力者。旧以软属浮,弱属沉。
The form of the pulse is long and round, like water passing through the center of a scallion leaf. It varies in length (Chang) and shortness (Duan), largeness (Da) and smallness (Xiao), emptiness (Xu) and fullness (Shi), slackness (Huan) and tension (Jin). (Length and shortness refer to the longitudinal extent; largeness and smallness refer to the transverse width; emptiness and fullness refer to the accumulation or lack of internal substance; slackness and tension refer to the relaxation or constriction of the vessel.)
Long: The pulse extends beyond the three finger widths (Cun, Guan, Chi) is called Long.
Short: The pulse does not fill the space of the three finger widths is called Short.
When palpating the Cun Kou (Inch Gate) pulse, it runs from the chest to the tip of the thumb without interruption, so originally there is no concept of length or shortness. However, some pulses manifest visibly, while others do not. Those that do not manifest fully are felt only within the three-finger span upon pressure; those that manifest fully extend beyond the three fingers. Thus, length and shortness must be distinguished. (Gao Gufeng stated: There is physical length and dynamic length. Dynamic length refers to a lingering resonance in the pulse's arrival. Gao's explanation is excellent. Although length and shortness primarily describe physical form, any pulse considered precious for its spirit and prolonged vitality can be envisioned through this description.)
Large: A pulse that is large and vigorous at the superficial level (Floating/Fu) is called Hong (Surging). A pulse that is large and diffuse, lacking clear boundaries between the pulse and the flesh, is called San (Scattered).
Small: Opposite to Large, also known as Xi (Fine). When extremely fine and forceless, it is called Wei (Minute).
Empty (Xu): Xu means not solid. When extremely empty with a hollow center, it is called Kou (Bamboo Shoot).
Full (Shi): Shi means solid or knotty. Feeling a Shi pulse is like pressing a pig tendon; feeling a Xu pulse is like pressing a rush pith; feeling a Kou pulse is like pressing a scallion stalk. Old texts state that strength at floating, middle, and deep levels indicates Shi (Full); weakness at all three indicates Xu (Empty); strength at floating and deep but weakness at the middle indicates Kou. While not incorrect, this is not the definitive explanation. (A Shi pulse is like a scallion filled with water; a Xu pulse lacks this filling; a Kou pulse is even less filled.)
Slack (Huan): Means soft and relaxed. If excessively so, it becomes Ruannuo (Soft and Weak). Historically, Huan was sometimes grouped with Chi (Slow) because Huan encompasses two meanings.
Tension (Jin): Means rapid and tense, opposite to Huan. It feels like a tightened bowstring or a pulled rope, rigid and resisting the finger. If the tension is not severe, it is called Xian (Wiry). If Xian or Jin is also large, it is called Ge (Drum Skin) or Lao (Deep-Fixed).
Some variations in length are constitutional. Individuals with prominent tendons may have longer pulses; those without prominent tendons may have shorter pulses. Some vary with seasons: Spring pulses are long, Autumn pulses are short. Some vary with disease: Excess pathogenic factors lead to long pulses; deficiency of healthy Qi leads to short pulses.
Some variations in size are constitutional, known as Liu Yang (Six Yang) and Liu Yin (Six Yin) pulses. (Those born with large pulses are Liu Yang; those with small pulses are Liu Yin.) Some vary with seasons: Pulses enlarge during growth seasons and shrink during收敛 (convergence/storage) seasons. Some vary with disease: Excess pathogens cause large pulses (pathogenic qi stagnation); deficiency of healthy Qi causes small pulses (decline of blood and qi).
Variations in emptiness/fullness can also be constitutional. Those with firm flesh often have Full pulses; those with soft flesh often have Empty pulses. They also vary with seasons: In Spring and Summer, when qi exerts outwardly, pulses may appear large but show signs of emptiness; in Autumn and Winter, when qi stores inwardly, pulses may appear small but show signs of fullness. Pathologically, a large and full pulse (stagnation and accumulation) versus a small and empty pulse (decline and hollowness) helps identify whether the disease is dominated by excess pathogens or deficient healthy Qi (both excess indicate pathogen excess; both deficiency indicate healthy Qi deficiency). A large but empty pulse (excess qi, deficient blood, like blowing air into an empty scallion tube) versus a small but full pulse (blood is sufficient, but qi is too weak to propel) helps identify Yin-Yang imbalance.
Variations in tension/slackness can be constitutional. Those with tight skin often have Tense pulses; those with loose skin often have Slack pulses. Seasonal variations occur due to cold causing contraction and heat causing relaxation. Pathological variations include external Wind-Cold or internal injury from cold/raw food, where Cold excess causes contraction, resulting in a Tense, forceful pulse. Heat or Dampness causes relaxation, resulting in a Soft, forceless pulse.
Appendix: Hong, San, Wei, Kou, Xian, Ge, Lao, Ruan, Ruo pulses.
Hong: Hong simply means large. Old texts described it as "strong arrival, weak departure," referring to its vigor at the superficial level.
San: The pulse shape should be gathered and round, but now it is diffuse and uncontained. It seems large but is not truly large; it represents extreme emptiness scattering outward.
Wei: Ancient texts associated Wei with Floating and Xi with Deep. They distinguished Wei as Yang deficiency and Xi as Blood deficiency. This collection defines pulses by their primary meaning, so Wei is defined as extremely fine and forceless.
Kou: A pulse that is empty and hollow in the center. "Kou" is the name for a specific type of scallion. It feels like lying a scallion tube under the finger: present on light and heavy pressure, but absent on medium pressure. This is a pulse of blood loss.
Xian: Similar to Jin but slightly less intense. It merely needs to show some resistance to the finger, unlike Jin which beats against the palm. Xian or Jin pulses caused by external pathogens are easier to treat; those caused by healthy Qi deficiency are difficult to cure. This is because Spleen-Stomach failure transforms harmonious Qi into rigidity ("Earth fails, Wood attacks"), which is incurable. Sometimes ancients equated Chang (Long) with Xian, describing Spring pulses as soft, straight, and long. Now distinguished, Xian implies urgency and rigidity, not just length.
Ge and Lao: Ge is Xian, large, slow, floating, and empty, feeling like pressing a drum skin (hollow inside, tight outside). Lao is Xian, large, slow, deep, and solid, indicating deeply entrenched Cold pathogens, like a prison.
Ruan and Ruo: Both represent extreme softness and slackness with a lack of force. Old texts associated Ruan with Floating and Ruo with Deep.