如何正确地开展中西医结合工作,创造出我国的新医学,是一个有待于不断实践与探讨的大课题。我仅从临床实践而论,深感西医确有许多长于中医之处,中医学习西医,有利于提高疗效。举例来说,先兆子瘸和子痫,属西医「晚期妊娠中毒症」的一种类型。中医没有「妊娠中毒症」病名,但从本病的牦床表现来看,类似于中医妇科所称的「子肿」、「子满」、「子晕」,「子痫」诸症。《诸病源候论》中指出:「胎间子气,子满如肿者此由脾胃虚弱,脏腑之间有停水而挟以妊娠故也。」《医宗金鉴》亦说:「孕妇忽然颠扑抽搐,不省人事,须臾自醒,少顷复如好人,谓之子痫。」这是妊娠最严重的疾病,重则删【母婴死亡。现代医学对妊娠中毒症的诊断,根据妊娠二十四周后,如高血压、水肿、蛋白尿三个症状有二者,均诊断为先兆子痫。古人对本病虽早有认识,但限于历史条件,绝大多数中医文献都把「子肿」、「子满」、「予晕」、「子痫」等当作不同的病证,其实上述各症,不过是整个疾病发展过程中的不同阶段,「子肿」、「子晕」往往是「子痫」的先兆症候,即使较轻的「子肿」有时亦可发展为危重的「子痫」。因此,必须重视它们之间的内在联系。鉴于上述认识,我制订了主方「牡蛎龙齿汤」(牡蛎、青龙齿、石决明、杜仲、制女贞、自芍、夏枯草、桑寄生、茯苓、泽泻),无论防与治,疗效均较显著。我采用中西医结合在妇科临床中尚是初步开端。
仁术济民夙愿得偿
古人有言:「夫医者,非仁爱之士不可托也;非聪明理达不可任也,非廉洁淳良不可信也。」医生的规范是要无限忠诚于病人的健康,视人之病犹己之病。
几十年来;我尽力做到:凡有求治,风雨寒暑勿避,远近晨夜勿拘,贵贱贫富好恶亲疏勿问。再则,医之一道,其理甚奥,其责甚重,论治立方,性命攸荧。为医者不应草率逞能以沽名钓誉,亦不得瞻前颐后,自虑吉凶,护惜身名。对于危急病人,即其病不可治,亦须竭心力以图万一可生。有女青年』十八岁,淳安人,值经来之时,外出遇雨淋,回家又遭父斥责,乍经闭病起,在当地治疗月余,耗去数百元,病却日重一日,不得已而来杭州投亲,设法救治。患者亲友正前不久经我治疗过,见病人危急非常,即于到杭当晚引来我家。病人用门板抬来,口吐白沫,神志不清,气息奄奄。我家人见之,恐其顷刻死去。病人父亲再三恳求,救女一命。如此重危的病人,又是晚间抬到家来,我可以要他们去医院捡查抢救。但贻误时间无异于断送其性命,作为一个医生,只有尽心竭力救治的责任,断无犹豫推诿的借口。我诊断患者系瘀阻迷闷,肝气郁结,投以桃红四物汤加失笑、花蕊石散,先服一剂,嘱当晚即煎服,明天复诊。是夜,我反复展转思考,未敢入睡。翌晨,病人家属来院,说服药后,早上已来月经,量不多。见有转机,我如释重负,增删原方,继服二剂,病人神志渐清,化险为夷。
治学之道在于学「问」
福建中医学院副院长兼附属医院院长、教授赵菜
【作者简介】赵菜(1910~),福州人。少年时,见家人病笃,中西药均罔效,后由名医精心诊治,始转危为安,因此对祖国医学极感兴趣,遂失志攻医。虽承师启蒙五年,实以自学为主。园能勤钻苦研,医术话精,但仍孜孜不体。悬壶以来,颇得群众信仰。解放后,福建中医学院成立,遂执掌教鞭。二十余年来,桃李多出其门下,深为医林重望。学宗补土,但不拘泥于温补,能别树一帜,对疑难直证,治愈颇多。着有《赵茶医疗经验选集》及主编《中医基础理论详解》等书,颇得读者好评。
我年青时,由于家人患病极笃,奄奄一息,危在旦夕,用中西药皆罔效,后经名儒医周良钦精心诊治,始转危为安,遂立志学医。除承师启蒙外,孜孜不倦,五易寒暑,始奠初基。
临诊以来,日益发现中医学术理论中,尚难理解的问题颇多,深感「书到用时方恨少,事非经过不知难」之憾。困思古今医家,虽各有师承,然多是自学而成,即所谓无师自通者,我何不效尤一试。但思自学总要有一套方法,才能有所收获。我体会到治学之道,途径很多,而「善学者必善问」这一条方法,是不能缺少的。
我在学医之前,曾涉猎于古典文学,由于古汉语措辞用字,与现代文不一样,往往读了一篇文章,好像都懂,如深入提问,又觉难通,诗词更是如此。为了解决这一难关,乃采取筮问的方法,自行解决了不少的疑问。我认为这种方法,完全可以适用于学医。
现举一例学习诗词发问自解的方法和经过,以资说明:李白的「静夜思」,原文是「床前明月光,疑是地上霜。举头望明月,低头思故乡。」真是浅显易读,一看即懂。但是进一步追问,这首诗为什么说写得好?好在那里?为什么既然说出了床前明月之光,何以又疑是地上之霜呢?望月思乡,尽人皆知,有何深意?这样层层提问,又感到答不上来了。经过初次思索,稍有领悟。李诗题为「静夜思」,他用「床前明月光」五字,就把夜深人静的情境,衬托出来。用「疑是地上霜」五字,把深秋月色洁白如霜,描绘出来,后两句转入正题,说出望月有所思,思故乡也。但我细细琢磨,仍感到不深不透,实际上还未学通。反复深思,又有进一步的理解。如床前明月之光,为什么能说明更深夜静呢?因为月光透射到屋内的时间,不是上半夜,就是后半夜,此诗以静夜为题,当然后半夜才可称静。为什么既知明月之光,叉疑为地上之霜呢?因为秋凉才有霜,下霜又多在深夜,既在深夜,应当是已睡了一觉,醒来感到凉意,在嚎陇中,映入眼帘的洁白月色,疑为寒霜,如果一直醒着未睡,尚有何疑?这也点出深秋月夜月明之景,因秋而生感。秋天又是诗人最易触景生情之时,古人有秋声赋、悲秋之作,都是以秋来抒情的。但是望月思乡,是想什么?又没有指出。.要知明月两字,诗家多用为团圆之意,也意味著作者在梦中与家人乐叙天伦之趣。标出低头两字,说明眼前却是只身异地,有不能与家人团聚之叹。举头低头,两种情景,在脑中回荡,意念绵绵。寥寥二十字,把时间、地点、环境、思想都说清楚,没有千锤百炼的功夫,是不能写得如此含蓄、言浅意深的,故称佳作。这样解释,或可使人折服。但是我不是诗家,所有解释,不一定对,此处不过藉以说明读书须「好问阙疑」,是一项很重要的方法。话说回来,我们是谈医,解释这么多诗意,与医何干?我觉得医学虽非文学,而学「问」的方法,对学习任何学科,是可以通用的,尤其学习中医,更须如此层层发问。我当时研究古典医籍,探讨其机理,即本着这种方法,收到不少益处。现试讲几倒通过发问,自行理解的问题,介绍于下如阴阳五行学说,是中医基础理论的基础。又是入门第一关,如果不明确它的精神实质,便成为绊脚石,影响整个中医理论的学习。这里单举一个问题来问:为什么说阴阳五行学说是中医学的说理工具,称为朴素的唯物论和自发的辩证法?这个道理不解决,就会怀疑中医太陈旧、不科学,阴阳五行有唯心色彩。原来阴阳学说,把阴字列为第一位,阳字列为第二位,从阴字代表物质,阳字代表功能来看,先物质后功能,把物质列为第一性,这正是唯物主义的观点。因为唯心论者是把功能(精神)列为第一性的。以这种思想方法作为说理工具,符合客观真理,故中医学说能一脉相承,历数千年而不衰,道理即在这里。
五行学说原是说明地球绕日一周,成为春、夏、秋、冬四季,在这四季中,地球上的一切生物,均随着四季的变化而变化,四季本身也在变化,都是有物质为基础,且又互相联系的。古人为了说理方便,以木、火、土、金、水五字为代名词,以东方、春季等为木;南方,夏季等为火}西方、秋季等为金,北方、冬季等为水;地球为中土、为长夏。它的主要精神实质,是承认一切事物都有联系,不是孤立的,并且时时都在变化。这正是辩证法的观点。中医学中引用阴阳五行学说为说理工具,并推广其含义,由于指导思想颇符合辩证法和唯物主义观点,故经得起实践的检验。弄通了这一关,学习中医的绊脚石,便可以搬开了。
其次,再谈谈学习《素问·阴阳应像大论黟一章内的如下一段话:「天不足西北,故西北方阴也,而人右耳目不如左明也,地不满东南,故东南方阳也,而人左手足不如右强也。」遗段经文,有的注释,把天地当作实际的天地,把东南、西北当作我国版图的地势,以东南地势低洼、气候炎热为阳,西北高原、气候寒冷为阴。照这样解释,如何与人体的耳目、手足联系得上呢?原来古人写文章,有个习惯,不喜欢在一篇文章里,反复重用一个名词,总要另选一个适当的名词来代替,以新耳目,这种方法,在古人文章里是不乏先例的。所以「阴阳应像大论」里的天地、东南、西北,实际还是指阴阳,就是以天为阳,以地为阴。按古人定方位的习惯,都是以上为南,下为北,左为东,右为西。综合起来,以东南代替左,左又可代替阳;以西北代替右,右又可代替阴。这篇文章里主要是论述阴阳,为了避免阴阳两字,过于重复使用,故更换新名词代替,这是可以理解的。但是医学是讲具体的东西,既然天地、东南、西北都指明阳,而与人体的耳目、手足有何关系?按中医理论,阴阳在这里应该是指气、血而言。气为阳,血为阴,清阳为天(在上),浊阴为地(在下),阳气上行头目,而盛于左,故耳目虽俱禀于清阳,但左明于右。阴血下行手足,而盛于右,故手足虽俱禀于浊崩,但右强于左。所以有「左右者,阴阳之道路也」的说法。这样联系起来,就不会感到「天不足西北,地不满东南」之句,难以理解了。至于气血在人身有左右、上下、盛虚之别,是否与地球的转动方向,或地球的磁场有关?此中奥妙,尚难尽解,只可存此疑问,以待高明。这又是用为什么来探讨经典著作的一例。
再如学习脉学,感到很抽像,如讲到浮脉是浮在皮肤上,又如水漂木。听了好像易懂,但追问它的实际标准如何?又难定论。在这种情况下,必须在字里行间去寻求答案。古人为什么说如水漂木,如果只在字面上去理解,只能认为浮者,浮于上也,脉浮在皮肤上,如术浮于水一样,其实这是一知半解。须知中医言脉,在于脉气,即脉之动态。要真正理解浮脉,必须深思其意,再加实验。可试取一块小木板,放在盆中,盛水后术浮于上,此时以手指轻轻下压,手指亦紧随木块下沉,如将手指轻轻提起,木块亦紧随手指上浮,这种应指上浮之力,即是浮象。临床验浮脉,即重按之后,随即轻轻提起,手指不离皮肤,脉气亦随手指上浮,这就是浮脉。古书文字简练,必须深究。验舌亦是如此。如舌苔的厚薄,从字面来看,理解并不困难,但厚薄的界限,应如何确定?我想应该从舌的乳头方面去探讨,乳头被苔垢遮满,丬『算厚苔,否则仍属薄苔。如此鉴别,才有着落,决不可因古书未言,便囫图吞枣。
再如方剂中的「大承气汤」,不名大黄芒硝厚朴枳实汤,而名承气,是何用意?须知方剂的组成,是针对病机的,大承气汤是用于胃家实、里热内结之证,名为承气,即点出腑气不降之病机。《内经》有「六府者,传化物而不藏,故实而不能满也」之说,推而广之,凡能使胃气通降者,皆可谓之承气。前人有以硝、黄的作用为承气,或以朴、枳的作用为承气,论说不一,我认为还是以胃气宜降为是。这是符合病机的。
从以上几个例子来看,都要发问探讨,然后得到理解,可见「善学者必善问」这句话是对的。但是我所体会的问题,因限于水平,难免有错误之处,因为要阐明发问的过程,不得不详细叙述,以便说明。我们还应当承认,样样发问,都能自己解答,这是不可能的。个人学识,终有限度,应当虚心请教师友,以冀他山之助。如果确实遇到人体奥妙,在今天科学知识尚无法解释的问题,只可存疑,以待他日解决,尽可能做到应该懂的要真懂,不懂的也心中有数,所谓「好读书不求甚解」的作风,对学医是不利的。
此外,发问的另一作用,还能引人向钻研的道路前进。中国医药学是一个伟大的宝库,说明其中有很多的宝藏,尚待发掘,加以整理提高,因此我们学习中医,遇到关键问题,都要紧紧抓住不放,认真钻研,才能推陈出新。由此可见发问置疑的过程,是治学的一个重要方法。我对学「问」这方面是尝到一些甜头的。用敢不揣谫陋,略述梗慨,以供自学者参考。
悬壶生涯六十年
北京市中医医院副院长北京市中医研究所所长赵炳南
How to correctly carry out the work of integrating traditional Chinese medicine (TCM, Traditional Chinese Medicine) and Western medicine, and create a new medicine for our country, is a major topic that awaits continuous practice and discussion. Based solely on clinical practice, I deeply feel that Western medicine indeed has many strengths over TCM; for TCM practitioners to learn from Western medicine is conducive to improving therapeutic efficacy. For example, preeclampsia (an early stage of pregnancy-induced hypertension syndrome) and eclampsia (convulsions and coma during pregnancy) belong to a type of "late-stage pregnancy toxemia" in Western medicine. TCM does not have the disease name "pregnancy toxemia," but judging from the clinical manifestations of this disease, it is similar to "Zi Zhong" (Pregnancy Edema), "Zi Man" (Abnormal Abdominal Distension in Pregnancy), "Zi Yun" (Pregnancy Vertigo), and "Zi Xian" (Eclampsia) as referred to in TCM gynecology. *Zhu Bing Yuan Hou Lun* states: "Fetal Qi causing swelling, Zi Man resembling edema, is due to spleen and stomach deficiency, with retained water between the zang-fu organs, complicated by pregnancy." *Yi Zong Jin Jian* also says: "When a pregnant woman suddenly suffers convulsions and falls into unconsciousness, awakens after a moment, and returns to normal shortly after, this is called Zi Xian." This is the most severe disease during pregnancy; in severe cases, it leads to maternal and infant death. The diagnosis of pregnancy toxemia in modern medicine is based on the presence of at least two of the three symptoms—hypertension, edema, and proteinuria—after twenty-four weeks of gestation, which is diagnosed as preeclampsia. Although the ancients had early knowledge of this disease, limited by historical conditions, the vast majority of TCM literature treated "Zi Zhong," "Zi Man," "Zi Yun," and "Zi Xian" as different diseases. In fact, the aforementioned symptoms are merely different stages in the development of the entire disease process. "Zi Zhong" and "Zi Yun" are often prodromal symptoms of "Zi Xian"; even mild "Zi Zhong" can sometimes develop into critical "Zi Xian." Therefore, we must attach importance to their internal connections. Based on the above understanding, I formulated the main prescription "Muli Longchi Tang" (Oyster Shell, Dragon Tooth, Shi Jue Ming, Du Zhong, Prepared Nv Zhen Zi, Bai Shao, Xia Ku Cao, Sang Ji Sheng, Fu Ling, Ze Xie), which shows significant efficacy in both prevention and treatment. My adoption of integrated TCM and Western medicine in gynecological clinical practice is still in its preliminary stages.
The Ambition of Benevolent Art to Benefit the People Has Been Fulfilled
The ancients said: "A physician cannot be entrusted unless he is a man of benevolence and love; he cannot be relied upon unless he is wise and intellectually clear; he cannot be trusted unless he is honest, pure, and good." The standard for physicians is to be infinitely loyal to patients' health, treating others' illnesses as one's own.
For decades, I have strived to achieve: whenever there is a request for treatment, do not avoid wind, rain, cold, or heat; do not be constrained by distance, morning, or night; do not inquire about nobility, poverty, goodness, badness, closeness, or remoteness. Furthermore, the way of medicine is profound in principle and heavy in responsibility; discussing treatment and prescribing formulas involves life and death. Physicians should not rashly show off their abilities to gain fame and reputation, nor should they hesitate, worry about fortune or misfortune, or protect their own names. For critically ill patients, even if their disease is incurable, one must exhaust all mental and physical efforts to seek a slim chance of survival. There was an eighteen-year-old young woman from Chun'an. During her menstruation, she went out and got caught in the rain. Upon returning home, she was scolded by her father. Her menstruation suddenly stopped, and the illness arose. She was treated locally for over a month, spending hundreds of yuan, yet her condition worsened day by day. Forced to go to Hangzhou to stay with relatives and seek rescue, her friends and relatives, who had been treated by me recently, seeing the patient in extreme danger, brought her to my home that very night upon her arrival in Hangzhou. The patient was carried in on a door plank, foaming at the mouth, unconscious, and breathing faintly. My family members, seeing this, feared she would die instantly. The patient's father repeatedly begged to save his daughter's life. For such a critically ill patient, brought to the house at night, I could have asked them to take her to the hospital for examination and rescue. But delaying time would be equivalent to sending her to her death. As a physician, I have only the responsibility to do my utmost to treat; there is absolutely no excuse for hesitation or bucking the responsibility. I diagnosed the patient as suffering from blood stasis obstructing and confusing the mind, with liver qi stagnation. I prescribed Taohong Siwu Tang added with Shixiao San and Huarui Shi San. She took one dose first, with instructions to decoct and take it that night, and return for consultation the next day. That night, I tossed and turned in thought, daring not sleep. The next morning, the patient's family came to the clinic, saying that after taking the medicine, menstruation had started in the morning, though the amount was not large. Seeing a turn for the better, I felt relieved. I modified the original formula and continued with two more doses. The patient's consciousness gradually cleared, and she escaped danger.
The Way of Scholarship Lies in Learning to "Ask"
Zhao Di, Vice President of Fujian College of Traditional Chinese Medicine and Director of its Affiliated Hospital, Professor
[Author Profile] Zhao Di (1910–), from Fuzhou. In his youth, seeing his family member severely ill with no effect from either Chinese or Western medicines, he later recovered through careful treatment by a famous doctor. Thus, he became extremely interested in national medicine and resolved to study medicine. Although he received five years of initiation from a teacher, he mainly relied on self-study. Because he diligently drilled and bitterly researched, his medical skills were exquisite, yet he remained tireless. Since practicing medicine, he has gained considerable public trust. After liberation, when Fujian College of Traditional Chinese Medicine was established, he took up teaching. For over twenty years, many students have come from under his tutelage, making him highly respected in the medical field. His learning follows the "Tonifying Earth" school, but does not stick rigidly to warming and tonifying methods; he can establish a unique style and has cured many difficult and stubborn cases. He authored *Selected Medical Experiences of Dr. Zhao Di* and edited *Detailed Explanation of TCM Basic Theory*, among other books, which have received good reviews from readers.
In my youth, because my family member was extremely ill, gasping for breath, and on the verge of death, and neither Chinese nor Western medicines were effective, I later recovered through careful treatment by the renowned scholar-physician Zhou Liangqin. Thus, I resolved to study medicine. Besides receiving initiation from a teacher, I studied tirelessly, enduring five changes of seasons and years, before laying a foundation.
Since beginning clinical practice, I have increasingly found many problems in TCM academic theory that are difficult to understand, deeply feeling the regret of "regretting having read too little when needed, and knowing difficulty only after experiencing it." Thinking about ancient and modern physicians, although each had their own lineage transmission, most achieved success through self-study, so-called "understanding without a teacher." Why should I not try imitating this? But thinking about it, self-study requires a set of methods to yield results. I realized that while there are many paths to scholarship, the method of "a good learner must be good at asking questions" is indispensable.
Before studying medicine, I had dabbled in classical literature. Because the wording and characters of Classical Chinese differ from modern writing, often reading an article seemed understandable, but upon deep questioning, it felt difficult to comprehend, especially with poetry. To overcome this hurdle, I adopted the method of setting questions to resolve many doubts myself. I believe this method is fully applicable to studying medicine.
Now, taking an example of learning poetry and using questioning to self-explain the method and process, to illustrate: Li Bai's "Quiet Night Thought," the original text is "Bright moonlight before my bed, I suspect it is frost on the ground. I raise my head to gaze at the bright moon, I lower my head and think of my hometown." It is truly shallow and easy to read, understood at a glance. But further questioning, why is this poem said to be well-written? Where is it good? Since it mentions the bright moonlight before the bed, why suspect it is frost on the ground? Gazing at the moon and thinking of home is known to everyone; what is the deep meaning? Asking layer by layer, one feels unable to answer. After initial reflection, there is slight comprehension. The title of Li's poem is "Quiet Night Thought." Using the five characters "Bright moonlight before my bed," he sets off the scene of late night and quietness. Using the five characters "I suspect it is frost on the ground," he depicts the autumn moonlight white as frost. The last two lines turn to the main topic, stating that gazing at the moon implies thought, thinking of home. But carefully pondering, I still feel it is not deep or thorough; actually, I haven't learned it thoroughly yet. Repeated deep thinking brings further understanding. For example, why does the bright moonlight before the bed indicate the late hour and quietness? Because the time moonlight shines into the room is either the first half of the night or the second half. Since the poem is titled "Quiet Night," only the second half of the night can be called quiet. Why, knowing the bright moonlight, suspect it is frost on the ground? Because frost occurs only with autumn coolness, and falling frost mostly happens in the deep night. Being in the deep night, one should have slept once, woken up feeling cool, and in drowsiness, the white moonlight entering the eyes is suspected to be cold frost. If one stayed awake without sleeping, what would there be to suspect? This also points out the scene of a clear moon in a deep autumn night, generating feelings due to autumn. Autumn is also the time when poets are most easily moved by scenery to generate emotion. The ancients had *Autumn Sound Fu* and works mourning autumn, all expressing emotion through autumn. But gazing at the moon and thinking of home, what is being thought of? It is not pointed out. Knowing that the two characters "bright moon" are often used by poets to mean reunion, it also implies the author enjoying family happiness in dreams. Marking the two characters "lower head" indicates that currently, one is alone in a foreign land, sighing at the inability to reunite with family. Raising the head and lowering the head, two scenes echo in the brain, thoughts continuous. In just twenty characters, time, place, environment, and thoughts are clearly stated. Without thousands of hammerings and refinements, it is impossible to write so implicitly and with shallow words but deep meaning, thus called a masterpiece. Such an explanation might convince people. But I am not a poet; all explanations may not be correct. Here, I merely use this to explain that reading requires "loving to ask and resolving doubts," which is a very important method. Speaking of which, we are discussing medicine; explaining so much poetic meaning, what does it have to do with medicine? I feel that although medicine is not literature, the method of learning "asking" is universal for learning any discipline, especially learning TCM, where one must ask questions layer by layer. At that time, when I studied classical medical texts and explored their mechanisms, following this method yielded many benefits. Now, I will briefly try several examples of problems understood through questioning and introduce them below.
Yin-Yang and Five Elements theory is the foundation of TCM basic theory. It is also the first gate of entry. If its spiritual essence is not clear, it becomes a stumbling block, affecting the learning of the entire TCM theory. Here, I single out one question to ask: Why is Yin-Yang and Five Elements theory called the reasoning tool of TCM, referred to as naive materialism and spontaneous dialectics? If this principle is not resolved, one will doubt that TCM is too old-fashioned and unscientific, and that Yin-Yang and Five Elements have idealistic colors. Originally, Yin-Yang theory lists the character Yin in the first position and Yang in the second. From the perspective that Yin represents matter and Yang represents function, matter comes first, then function, listing matter as primary. This is precisely the viewpoint of materialism. Because idealists list function (spirit) as primary. Using this ideological method as a reasoning tool conforms to objective truth, hence TCM theory can inherit continuously and remain vigorous for thousands of years; the reason lies here.
Five Elements theory originally explained the earth's revolution around the sun, becoming spring, summer, autumn, and winter four seasons. In these four seasons, all living things on earth change with the changes of the four seasons, and the four seasons themselves are also changing. All have matter as a basis and are interconnected. For convenience of reasoning, the ancients used the five characters Wood, Fire, Earth, Metal, Water as nouns, using East, Spring, etc., as Wood; South, Summer, etc., as Fire; West, Autumn, etc., as Metal; North, Winter, etc., as Water; Earth as Central Earth, and Long Summer. Its main spiritual essence is acknowledging that all things are connected, not isolated, and constantly changing. This is precisely the viewpoint of dialectics. TCM cites Yin-Yang and Five Elements theory as a reasoning tool and expands its meaning. Because the guiding ideology largely conforms to dialectical and materialist viewpoints, it stands the test of practice. Once this gate is mastered, the stumbling block in learning TCM can be removed.
Secondly, let us discuss a passage from the chapter "Su Wen: Yin Yang Ying Xiang Da Lun": "Heaven is deficient in the northwest, therefore the northwest direction is Yin, and human right ears and eyes are not as clear as the left. Earth is incomplete in the southeast, therefore the southeast direction is Yang, and human left hands and feet are not as strong as the right." Some annotations of this scripture treat Heaven and Earth as actual heaven and earth, and Southeast and Northwest as the terrain of China's map, considering low-lying, hot climate Southeast as Yang, and plateau, cold climate Northwest as Yin. Explaining it this way, how can it connect with human ears, eyes, hands, and feet? Originally, ancient writers had a habit of not repeatedly using the same noun in one article; they always chose another appropriate noun to replace it, to refresh the reader's senses. This method is not lacking precedent in ancient writings. Therefore, Heaven, Earth, Southeast, Northwest in "Yin Yang Ying Xiang Da Lun" actually still refer to Yin and Yang, i.e., Heaven is Yang, Earth is Yin. According to the ancient custom of defining directions, Up is South, Down is North, Left is East, Right is West. Synthesizing these, Southeast replaces Left, and Left can replace Yang; Northwest replaces Right, and Right can replace Yin. This article mainly discusses Yin and Yang. To avoid overly repetitive use of the characters Yin and Yang, new nouns are replaced. This is understandable. But medicine deals with concrete things. Since Heaven, Earth, Southeast, Northwest all point to Yang (note: the text argues they point to Yin/Yang distinctions mapped to body parts, specifically clarifying the mapping logic), what is the relationship with human ears, eyes, hands, and feet? According to TCM theory, Yin and Yang here should refer to Qi and Blood. Qi is Yang, Blood is Yin. Clear Yang is Heaven (above), Turbid Yin is Earth (below). Yang Qi ascends to the head and eyes and flourishes on the left, so although ears and eyes both receive Clear Yang, the left is clearer than the right. Yin Blood descends to the hands and feet and flourishes on the right, so although hands and feet both receive Turbid Yin, the right is stronger than the left. Hence the saying "Left and Right are the pathways of Yin and Yang." Connecting them this way, one will not find the sentence "Heaven is deficient in the northwest, Earth is incomplete in the southeast" difficult to understand. As for whether the differences in left/right, up/down, flourishing/deficiency of Qi and Blood in the human body are related to the earth's rotation direction or magnetic field? The mysteries within are still difficult to fully explain; one can only keep this doubt, awaiting experts. This is another example of using "why" to explore classic works.
Furthermore, studying pulseology feels very abstract. For example, when discussing Floating Pulse (Fu Mai), it is described as floating on the skin, like wood floating on water. Listening, it seems easy to understand, but questioning its actual standard makes it hard to conclude. In this situation, one must seek answers between the lines. Why did the ancients say "like wood floating on water"? If understood only literally, one can only consider that Floating means floating upwards, pulse floating on the skin, like wood floating on water. Actually, this is half-understood. One must know that TCM speaking of pulse lies in pulse Qi, i.e., the dynamic state of the pulse. To truly understand Floating Pulse, one must deeply ponder its meaning and add experimentation. One can try taking a small piece of wood board, placing it in a basin, filling it with water so the wood floats on top. At this time, gently press down with fingers; the fingers also sink following the wood block. If gently lifting the fingers, the wood block also rises following the fingers. This force of rising upon finger contact is the Floating image. Clinically verifying Floating Pulse, after heavy pressing, immediately gently lift, fingers not leaving the skin, pulse Qi also rises following the fingers; this is Floating Pulse. Ancient texts are concise; one must investigate deeply. Verifying tongue coating is also like this. For example, the thickness of tongue coating, looking at the literal meaning, understanding is not difficult, but how to determine the boundary of thick and thin? I think one should explore from the aspect of tongue papillae. If papillae are covered by coating filth, it counts as thick coating; otherwise, it still belongs to thin coating. Only with such differentiation is there a foothold; one must not swallow whole just because the ancient book didn't say.
Furthermore, regarding the formula "Da Cheng Qi Tang," why is it not named Dahuang Mangxiao Houpo Zhishi Tang, but named Cheng Qi? What is the intention? One must know that the composition of formulas targets the pathogenesis. Da Cheng Qi Tang is used for Stomach House Excess, interior heat internal binding syndromes. Named Cheng Qi, it points out the pathogenesis of fu-organ Qi not descending. *Nei Jing* has the saying: "The six fu-organs transmit and transform substances without storing, thus they are full but not stuffed." Extending this, anything that can make Stomach Qi descend and unblock can be called Cheng Qi. Former people had differing opinions on whether Xiao and Huang's role is Cheng Qi, or Hou and Zhi's role is Cheng Qi. I believe it is still correct that Stomach Qi should descend. This conforms to the pathogenesis.
From the above few examples, all require questioning and exploration to obtain understanding, showing that "a good learner must be good at asking questions" is correct. But the problems I have realized, limited by my level, inevitably contain errors. Because to clarify the process of questioning, detailed narration is unavoidable for explanation. We should also admit that questioning everything and answering it oneself is impossible. Personal knowledge and learning ultimately have limits; one should humbly consult teachers and friends, hoping for help from other stones. If indeed encountering human body mysteries, problems that current scientific knowledge cannot explain, one can only keep doubts, waiting for future resolution. Strive as much as possible to truly understand what should be understood, and have a clear mind about what is not understood. The style of "loving to read but not seeking thorough understanding" is detrimental to studying medicine.
In addition, another function of questioning is to lead people forward on the path of research. Chinese medicine and pharmacy is a great treasure house, indicating that there are many treasures waiting to be excavated, organized, and improved. Therefore, when we learn TCM, encountering key problems, we must hold on tightly and research seriously to innovate. Thus, it can be seen that the process of questioning and doubting is an important method of scholarship. I have tasted some sweetness in learning "asking." Dare not disdain my shallow ignorance, briefly outlining the general idea, for reference by self-learners.
Sixty Years of Hanging the Pot Career
Zhao Bingnan, Vice President of Beijing Hospital of Traditional Chinese Medicine, Director of Beijing Institute of Traditional Chinese Medicine