《素问·六微旨大论》∶“出入废则神机化灭,升降息则气立孤危。”尝谓《伤寒》所论传经,即是出入精义,盖正气
之出入,由厥阴而少阴、而太阴、而少阳、阳明以至太阳,循环往复。六淫之邪,则从太阳入,一步反归一步,至厥阴
而极,此邪气进而正气退行,不复与外气相通。令韶张氏谓之逆传,养葵赵氏谓之郁证,即此义也。故开、阖、枢三者,
乃其要旨。夫分言之,为出入,为升降,合言之,总不外乎一气而已矣。观东垣《脾胃论》浮沉补泻之图,以卯酉为道
路,而归重于苍天之气。考其所订诸方,用升、柴、苓、泽等法,实即发源于长沙论中葛根、柴胡、五苓之意以引而伸
之,所谓升之九天之上,降之九地之下,虽内伤外感殊科,而于气之升降出入,则总无以异耳。王氏曰∶凡窍横者,皆
有出入往来之气,窍竖者,皆有阴阳升降之气,盖人在气中,如鱼在水中,人不见气,如鱼不见水,上下九窍,外而八
万四千毛孔,皆其门户也,气为之充周而布KT ,虽有大风苛毒,莫之能害。是故“邪之所凑,其气必
虚”,内陷者,有入而无出,下陷者,有降而无升,此升降出入四字,为一生之橐 ,百病之纲领。
详考《伤寒论》中寸口之紧与趺阳之紧,虽同曰紧,而义自各别。盖紧见于寸口,是客邪所致之病。脉紧见于趺阳,
趺阳是胃之本脉。《平脉篇》云∶“跌阳脉微而紧,紧则为寒”,又云∶“跌阳脉沉而数,沉为实,数消谷,紧者,病难治。”
夫紧则为寒,数则为热,既曰数,又曰紧,不几寒热混淆欤!卢予繇疏云∶紧则为寒,为其嫌于无阳,盖此寒字非寒邪
之寒,针对阳字而言,乃是形容无阳意思。无阳者,无胃脘之阳也,即所云知阴常在,绝不见阳意。知阴常在绝不见阳,
以尺脉言是肾阳,此以趺阳言是胃阳。人以胃气为本,故诊趺阳须知迟缓,诊寸口当求濡弱,皆胃阳敷布之象,即《经》
文“无胃气曰死”之要旨耳。至于寸口脉浮而紧,寸口脉阴阳俱紧,此紧字以寒邪言。细参之,要自有濡弱者在,所谓
“濡弱何以反适十一头”,为五脏六腑之主,脉之骨也,不得与跌阳之紧混同而论。
The *Suwen: Treatise on the Six Micro Principles* states: "If exit and entry cease, the spirit mechanism perishes; if ascent and descent halt, qi standing becomes isolated and perilous." I have often remarked that the discussion of meridian transmission in the *Shanghan Lun* (Treatise on Cold Damage) embodies the profound essence of exit and entry. Generally, the exit and entry of righteous qi proceed from Jueyin to Shaoyin, then Taiyin, Shaoyang, Yangming, and finally to Taiyang, cycling repeatedly. In contrast, pathogenic factors of the six excesses (wind, cold, summerheat, dampness, dryness, fire) enter via the Taiyang channel, retreating step by step until they reach Jueyin as their extreme. This represents the advance of pathogenic qi and the retreat of righteous qi, no longer communicating with external qi. Ling Shao Zhang referred to this as "reverse transmission," while Yang Kui Zhao called it "depression syndrome"; both terms convey this same meaning. Thus, opening, closing, and pivoting constitute the key principles. Discussed separately, they are termed exit/entry and ascent/descent; discussed collectively, they ultimately amount to nothing more than one qi. Observing Li Dongyuan's diagram of floating/sinking and tonifying/reducing in his *Pi Wei Lun* (Treatise on the Spleen and Stomach), which uses Mao and You as pathways and emphasizes the qi of the vast heaven, we can examine his prescribed formulas. Methods using Shengma (Cimicifugae Rhizoma), Chaihu (Bupleuri Radix), Lingpi (Poria), and Zexie (Alismatis Rhizoma) actually originate from the concepts of Gegen (Puerariae Lobatae Radix), Chaihu, and Wuling San (Five-Ingredient Powder with Poria) discussed by Changsha (Zhang Zhongjing), extended and elaborated upon. It is said, "Ascend to the highest heavens, descend to the deepest earth." Although internal injury and external contraction belong to different categories, regarding the ascent, descent, exit, and entry of qi, there is essentially no difference. Master Wang stated: "All orifices oriented horizontally possess qi of exit, entry, and mutual flow; all orifices oriented vertically possess qi of yin/yang ascent and descent." Essentially, humans exist within qi just as fish exist within water; humans cannot see qi, just as fish cannot see water. The nine orifices above and below, along with the eighty-four thousand pores outside, serve as its gates. Qi circulates and distributes throughout the body, so that even severe wind or toxic pathogens cannot cause harm. Therefore, "Where pathogenic factors gather, righteous qi must be deficient." Diseases sinking inward involve entry without exit; diseases sinking downward involve descent without ascent. These four characters—ascension, descent, exit, and entry—are the bellows (tuo yue) of life and the general outline of all diseases.
A detailed examination of the tight pulse at the Cun Kou (radial artery at the wrist) and the tight pulse at the Fu Yang (dorsalis pedis artery) in the *Shanghan Lun* reveals that although both are termed "tight," their meanings differ. A tight pulse appearing at Cun Kou indicates a disease caused by exogenous pathogens. A tight pulse appearing at the Fu Yang pulse, which is the primary pulse of the stomach, requires specific interpretation. The *Ping Mai Pian* (Chapter on Pulse Diagnosis) states: "If the Dizhong pulse is faint and tight, tightness indicates cold." It also states: "If the Dizhong pulse is deep and rapid, deepness indicates excess, rapidity consumes grain, but if tight, the disease is difficult to treat." Tightness indicates cold, and rapidity indicates heat. If it is described as rapid and also as tight, does this not confuse cold and heat? Lu Youyou, in his commentary, explained: "Tightness indicates cold" because one might fear it implies a lack of yang. Here, the character "cold" does not refer to cold pathogenic factors, but rather contrasts with the character "yang," describing the state of lacking yang. Lacking yang means lacking the yang of the epigastrium, which corresponds to the saying, "Knowing that yin remains constant, never seeing yang." Referring to the Chi pulse (wrist position), this denotes kidney yang; referring here to the Fu Yang pulse, it denotes stomach yang. Humans rely on stomach qi as their foundation. Therefore, when diagnosing the Fu Yang pulse, one should recognize the slow and moderate qualities; when diagnosing the Cun Kou pulse, one should seek the soft and weak qualities. Both are manifestations of stomach yang distributing throughout the body, aligning with the essential principle in the Classics: "Absence of stomach qi signifies death." As for the Cun Kou pulse being floating and tight, or the Cun Kou pulse showing tightness in both yin and yang positions, this "tightness" refers to cold pathogenic factors. Upon careful analysis, there must inherently be soft and weak qualities present. This corresponds to the saying, "How can soft and weak [pulses] correspond to the eleven heads?" Serving as the master of the five zang and six fu organs, and the framework of the pulses, this condition must not be conflated with the tightness of the Fu Yang pulse.