三官大帝 雷府 刘天君撰惜字垂训,求禄求名求嗣,功惟惜字为先。昔巳职之文帝,吾今复何赘焉。
但见世人扰扰,贫穷困 盈前,大半非他过恶,秽污字纸 愆,虽有训文广劝,终无一士心坚。小子矜
驰佻达,老成狃习安闲,敬奉未闻一二,毁残殆有万千。或以糊房衬裹,或以裹物取便,
或以残章委弃,或以零字沦淹,或以习书桌几,或以带上厕边,或以临时拭秽,或以糊衬蚕笾,种种
罪深辜积,一一上奏帝前,罚令此曹受报,疾厄禁锢相牵,农贾鄙俚无减,士夫荣禄难延,大则灭身灭嗣
,小则夺纪夺年。吾今下哀蠢尔,特为奉 降骈,普劝世间士子,遵行须要虔虔,毋论经书史子,毋论
野史稗官,毋论缃函茧帙,毋论断简残编,毋论长篇累牍,毋论只字片言,务必尽加护惜。勿因俗论避
嫌,始则焚诸火内,继则送去流泉。不可因循苟免,不可时日耽延。急急奉行一月,寸心复旧光鲜。急
急奉行一载,本身科甲蝉联。急急奉行一世,此生名列上仙,实有如斯果报,非吾虚语取妍。倘有痴蠢野狼
子,敢为诽谤憎嫌,吾已奉旨专事,立时雷火熬煎。今特广为传示,子其代我布宣∶检拾字纸,随在烧化,
固属敬惜。但惜字戒内有曰∶勿于灶内烧灰,勿烧灰仍弃于地,未读此戒而不犯者鲜矣。因思物聚于
所好,一人检取有限,似不若劝人。一法颇善,凡亲友许酬,神愿演戏者,何不竟许焚字纸数百斤,或
数千斤,随力随愿。此法可贴一字条于空铺内,收卖每斤给钱一二分,彼市徒知其价,无不检来。
无论城乡,俱可行之。盖神戏,原欲广劝愚顽,岂料近今演戏,俱非正经,反教不善,定干阴,谴何冀降
福。若能遵此,了酬愿心者,有祷必应矣。买到焚时,恐飞灰弃地。若无字炉处,可于地下挖一坑,
旁留洞出烟,上盖破锅,将字由锅破处入烧为妥,烧过用净水泼浇,再用细蒲包,或油纸盛灰,每
包内放石或砖一块,将绳捆好,送大江大河急水中,听其流去,包内有砖,不致漂流岸边。
店铺招纸等项,每多花、字相间,小儿性爱花纸顽耍,扯碎抛弃,岂不造孽。须用者,将花、字分
开,或在上下左
右,庶大人见时,可将字裁去,不致糟塌。
庙宇许愿上幡,僧道每卖与人,染作茶棚、风矾,并有改为被褥,字迹亵渎,俱罹大罪,今后施
挂,惟祈将剪字缝于幡上,总属心愿。倘有出资收买焚化者,以杜后弊,功德更难量矣。
道路抛弃字纸,见宜收拾。而墙壁披挂者,及碗底并伞柄、笔梗、扇面有字破碎者,俱宜收惜。
凡一切字簿,勿与妇女为针线本,勿令小儿顽耍。
“HT ”字,即古万字,考(《字汇》)云∶HT 字,古佛胸中吉祥之相,人皆不知,或绣或画,杂于秽
处,甚且织绣于绸绫上,或为衫裤,或为被褥,岂非不敬人,多不察,特为广布∶
凡做佛事,须备小缸两只,一化元宝冥镪,一化文疏纸马。盖字虽焚化,其迹不灭,纸灰沾地,罪
过实甚。若遇僧道,亦须劝导。
我等举议,施送字笼,笼面签上将要条刊一二则,或另刻一张同送书馆之处广劝,凡乐善君子,亦可遵此办理。
The Three Officials Great Emperors and Liu Tianjun of the Thunder Department composed the "Instructions on Cherishing Written Characters," stating that when seeking salary, fame, or offspring, cherishing written characters is the foremost merit. In the past, the Wenchang Emperor's deeds served as a model; I have nothing more to add.
However, seeing people bustling and confused, with poverty and hardship often before them, this is mostly not due to other faults or evils, but rather the sins accumulated from defiling written characters. Although many admonitory articles have been widely circulated, ultimately no one has firmly resolved to practice them. The young are frivolous and unrestrained, while the elderly are accustomed to ease and leisure; they have heard little or nothing about reverent observance, yet acts of destroying and damaging written characters number in the thousands. Some use them to paste windows as lining, some to wrap items for convenience, some discard broken chapters at will, some let scattered characters sink and drown, some use them as desks for practicing writing, some carry them on their belts or place them near toilets, some use them temporarily to wipe filth, some use them to line silkworm trays. Such deep sins and accumulated guilt are reported one by one before the Heavenly Emperor, punishing these individuals with retribution, where illness and disaster are linked with confinement. Farmers and merchants remain lowly without reduction, while scholars and officials find it difficult to extend their glory and official rank. The greater consequence is destruction of body and lineage, the lesser is deprivation of lifespan and years. Now, out of compassion for the ignorant, I specially descend this parallel-prose text to universally advise the scholars of the world: follow and practice with utmost piety. Regardless of classics and histories, wild histories and minor works, fine book boxes and silk bindings, broken slips and fragmented volumes, long essays or short phrases, ensure all are carefully protected and cherished. Do not avoid suspicion due to secular opinions; initially burn them in fire, then send the ashes to flowing springs. Do not be negligent and seek to evade responsibility, do not delay time. Urgently practice for one month, and your heart will regain its former brightness; urgently practice for one year, and your scholarly success will follow in succession; urgently practice for a lifetime, and your name will be listed among the High Immortals. Indeed, such is the retribution, not my empty words for flattery. If there are foolish and barbaric subjects who dare to slander and detest, I have received orders to specifically handle this matter, subjecting them immediately to roasting by thunder and fire. Now I specially disseminate this widely, asking you to proclaim on my behalf: collect written characters and burn them wherever found, which certainly belongs to reverent cherishing. But the precepts of cherishing characters state: do not burn them into ash in the stove, do not still discard the ash on the ground. Few have read this precept and not committed this error. Considering that things gather according to one's preferences, one person collecting is limited; it seems better to persuade others. This method is quite good. For relatives and friends who vow to repay deities by staging operas, why not simply allow them to burn hundreds or thousands of jin of written characters, according to their ability and wish. This method can be posted as a notice in an empty shop, purchasing at one or two cents per jin; market vendors knowing the price will surely bring them. Whether in cities or countryside, this can be implemented. Divine operas originally intended to widely admonish the ignorant and stubborn, but who would expect that recent operas are not orthodox, instead teaching what is bad, inevitably incurring hidden condemnation, let alone hoping for blessings. If one can follow this method to fulfill vows, prayers will surely be answered. When buying to burn, fear flying ash being discarded on the ground. If there is no dedicated character furnace, dig a pit in the ground, leave a hole on the side for smoke to escape, cover with a broken pot, and insert written characters through the break in the pot to burn properly. After burning, sprinkle with clean water, then store the ash in fine cattail bags or oil paper. Place a stone or brick in each bag, tie the rope well, and send to the rapid waters of great rivers, letting it flow away. With bricks inside, the bags will not drift to the shore. Shop signs and papers often have flowers and characters intermixed; children naturally love playing with flowered paper, tearing and discarding it, which creates sin. When needed, separate the flowers and characters, or position them top, bottom, left, right, so that adults can cut off the characters upon seeing them, preventing waste. Temple banners vowed for wishes are often sold by monks and Taoists to others, dyed into tea sheds or wind screens, or even changed into quilts, where characters are profaned, incurring great sin. From now on, when hanging them, only request cutting the characters and sewing them onto the banner, which fulfills the vow. If there are those who contribute funds to buy and burn them, to prevent future abuses, the merit is immeasurable. Written characters discarded on roads should be collected when seen. Those pasted on walls, or on the bottoms of bowls, umbrella handles, pen stems, and fan surfaces with broken characters, should all be collected and cherished. All kinds of character books must not be used by women as needlework pads, nor allowed for children to play with.
The "Wan" (卍) character, i.e., the ancient ten-thousand character, according to research ("Zihui"): The "Wan" character is an auspicious mark on the chest of the ancient Buddha, unknown to people. It is embroidered or painted, mixed in filthy places, or even woven/embroidered on silk and satin, made into shirts and trousers, or quilts. Is this not disrespectful? People rarely examine this closely. I specially disseminate this widely:
When performing Buddhist rites, prepare two small vats: one for burning ingots and underworld currency, one for burning documents and paper horses. Although characters are burned, their traces do not disappear; paper ash sticking to the ground incurs serious sin. If encountering monks or Taoists, also advise them.
We propose distributing character baskets, with one or two key rules printed on the basket tags, or carving another sheet to distribute alongside books to widely admonish. Any benevolent gentlemen may also follow this procedure.