余方弱冠,患失血,体羸气微,医药罔效。清光绪乙未春,从周守儒夫子习训诂。夫子以所
得于静一空悟大师之正侧坐卧各图,根据次授之,数月病愈,旋即废弃。阅六年辛丑,疾复大作,夫子督
促复习,未百日病又愈。自是或作或辍,虽违师训,未尚日夜练习,然每因劳倦过甚,或肠胃积
滞,必凝神静气,择要行之。
迩来三十余年,虽年逾知非,其精力常足以应事,皆由于此。夫子于大师所授各图式外,又
复旁收博引,阐发奥义。名曰∶增演易筋洗髓内功图说。分为十八卷,订为十册,亲书三部,藏
于其椟。丙辰冬,余自酉阳旋渝,夫子已归道山二岁矣。访其书尚存二部,今夏复访之,则仅存
其一。余深惧大道之没,而吾夫子推阐之苦衷,亦随之而靡,亟商鉴涵世弟,谋付石印,以广流传。
方今国术昌明,凡讲外壮者,多失内养,谈玄理者,罔识动作。兹编内外兼备,性命双修,诚
入道之正宗,由道而佛之快捷方式,岂区区却病延年所能尽其功效哉。
庚年岁秋九月门人张瑶艺耘敬述
予生而体弱,长失调养,十岁前饮食不节,尝患疫寒积滞等症。十岁后沉湎于酒,多生疮痍。
至十九岁,又为洋烟困,行年三十体愈羸,病日臻,动则惊怖,行则怔忡,风热燥湿,坐不安
席,寒暑昼夜,时在病乡,体则奄奄一息,热又时时上蒸,攻散和解,温补清凉,无术可施。
十余年来,苦状难述,虽历经良医调治,先去邪,后扶正,症对方投,无不小效。而畏风怯寒,
气短神衰,服姜桂参茸近十年,元终难复,壮年几与耄年无异。清夜自思,计维坐以待毙矣。
然窃念生寄死归,寿夭何惜,独是混世四十年,毫无善状,负疚孔多,志未竟者几何,分
未尽者又几何?所负天地父母之生成,君亲师长之教育,友朋妻 之属望,圣贤先儒之陶
熔,更仆难数,退思补过,可奈时不及待,何自怨自奋,亦徒仰屋兴叹耳。幸于辛卯春,宴古
渝之至善堂,遇松山陈老师少林神功也。劝以其功疗之,尽传心授,于是顿起禅心,有因必访,
又于成都道院,得内功图说一册,简摩日久,稍有所得,遵图行之,体觉舒畅,至是求道益切。
癸巳秋闱,复赴省应试,于资阳通慧寺中,忽遇静一空悟老师,睹法相,心知其异,一
路探讨真谛,随驾至昭觉寺,不离竟底。蕴悉师自嵩山少林来,尽得少林术,是达摩嫡
派,深通如来易筋洗髓等经。拜倒求度,师悯其诚许之,遂执弟子礼,而受业于门,口传心授
凡三逾月,尽得此中三
昧。临别授以增益易筋洗髓内功图说六卷,卷分上下,共十二卷。戒之曰,此祖师真谛,非十八
家支流可比,毋轻视,行持无间,足证佛因,切忌行至半途,自持神勇无敌,遂弃上乘工夫,久
恋人间勋业事,以吾弟文士学成后,有心得处,可增演妙谛,以广慈航,万不可视为独得之奇,
秘而不宣也。勉之慎之,余再拜受册,无日不习,方年余,颇觉病去瘾除,精神一振,体健身强,
气力渐增,后效虽不能预必,此功终不敢稍废也。爰叙进道巅末,于简端云时。
乙未孟夏中旬古渝后学周述官谨序于士隐斋中
When I was just coming of age, I suffered from hemoptysis (loss of blood), my body was emaciated and my Qi (vital energy) was weak, to no avail of medicine. In the spring of Yiwu year (1895) of the Guangxu reign, I studied exegesis under Master Zhou Shoru. The master taught me step by step the various diagrams of upright sitting, side sitting, lying down, etc., obtained from Master Jingyi Kongwu. After a few months, my illness healed, but I soon abandoned the practice. Six years later, in the Xinchou year (1901), the disease relapsed severely. The master urged me to review and practice again; within less than a hundred days, the illness healed once more. Since then, I practiced intermittently. Although I violated my teacher's instructions and did not practice day and night, whenever I became overly fatigued or suffered from gastrointestinal stagnation, I would always concentrate my mind and calm my Qi, selecting key points to practice.
For the past thirty-plus years, although I have passed the age of fifty (knowing what is wrong), my vitality has been sufficient to handle affairs, all due to this practice. Besides the various postures taught by the master, my teacher also extensively collected and cited sources to elucidate profound meanings. It was named "Zengyan Yijin Xisui Neigong Tushuo" (Illustrated Manual of Augmented Muscle-Tendon Changing and Marrow-Washing Internal Arts). It was divided into eighteen volumes and bound into ten fascicles. He personally wrote three copies and stored them in his cabinet. In the winter of Bingchen year (1916), when I returned from Youyang to Chongqing, the master had already passed away for two years. I visited to find that two copies still existed. This summer, upon visiting again, only one remained. Fearing deeply that the Great Dao would be lost and that my teacher's painstaking efforts to expound it would vanish with him, I urgently discussed with my junior brother Jianhan to plan for lithographic printing to facilitate wide dissemination.
Today, national martial arts are flourishing. Those who focus on external strength often neglect internal nourishment, while those discussing metaphysical principles often fail to understand physical movements. This compilation possesses both internal and external aspects, cultivating both nature and life (Xingming shuangxiu). It is truly the orthodox path to entering the Dao, a shortcut from Dao to Buddhism. How could its efficacy be limited merely to dispelling illness and prolonging life?
Disciple Zhang Yao Yiyun respectfully recorded in September of Geng year (1930).
I was born with a weak constitution and lacked proper care as I grew up. Before the age of ten, due to irregular diet, I suffered from epidemic colds and stagnation. After ten, I indulged in alcohol and developed many sores. By nineteen, I was enslaved by opium. By thirty, my body became even more emaciated, and my condition worsened daily. Movement caused panic, walking caused palpitations. Affected by wind, heat, dryness, and dampness, I could not sit comfortably. Through cold and heat, day and night, I was often in a state of illness, with only a breath of life remaining, and heat constantly rising upwards. Whether using purgatives, harmonizers, warming tonics, or cooling agents, no method worked.
For over ten years, the suffering was indescribable. Although treated by good doctors, first eliminating pathogens and then supporting healthy Qi, with prescriptions matching symptoms, there were always slight effects. However, fearing wind and cold, shortness of breath, and mental fatigue persisted. Having taken Ginger, Cinnamon Twig, Ginseng, and Deer Antler for nearly ten years, my Yuan Qi (original energy) ultimately failed to recover. My prime years were indistinguishable from old age. Thinking at night, I felt I could only sit and wait for death.
Yet, privately reflecting, life is a temporary lodging and death is the return; why cherish longevity or brevity? But having lived forty years in confusion without any virtuous deeds, I bear immense guilt. How much of my ambition remains unfulfilled? How much of my duty remains unperformed? I have failed the heaven and earth, parents, ruler, kin, teachers, friends, wife, and the cultivation of sages and Confucians—countless debts. Reflecting on faults to make amends, time does not allow; self-reproach and striving are but sighing at the roof. Fortunately, in the spring of Xinmao year (1931), at a banquet at Zhishan Hall in ancient Yuyu, I met Teacher Songshan who practiced Shaolin Divine Kung Fu. He advised me to use this art for healing, transmitting the heart-to-heart secret teachings. Thus, Zen mind arose spontaneously; wherever there was an affinity, I sought it out. Later, in Chengdu Daoist Institute, I obtained a copy of "Neigong Tushuo". After long study and refinement, I gained some understanding. Following the diagrams, my body felt comfortable, and my desire for the Dao intensified.
In the autumn examination session of Guisi year (1953), I went to the provincial capital for exams. At Tonghui Temple in Ziyang, I suddenly encountered Master Jingyi Kongwu. Seeing his dharma appearance, I knew he was extraordinary. We explored the true meaning along the way, following him to Zhaojue Temple, staying by his side until the end. I learned fully that the master came from Shaolin Mountain in Songshan, mastering all Shaolin arts, being the direct lineage of Bodhidharma, and deeply understanding the Tathagata's "Yijin Jing" (Muscle-Tendon Classic) and "Xisui Jing" (Marrow-Washing Classic). I bowed and begged for initiation. The master, pitying my sincerity, agreed. I took the disciple's rites and studied under him. Oral transmission and heart teaching lasted over three months, allowing me to grasp the essence completely. Upon parting, he bestowed upon me six volumes of "Zengyi Yijin Xisui Neigong Tushuo", divided into upper and lower parts, totaling twelve volumes. He warned: "This is the true essence of the Patriarchs, incomparable to the branches of the eighteen schools. Do not despise it. Practice without interruption, and you can verify Buddhist causes. Beware of stopping halfway, relying on your own spiritual bravery, abandoning superior practices, and lingering too long in worldly achievements. As a scholar, after you master this, if you have insights, you may expand and propagate these wondrous truths to ferry sentient beings widely. Never regard it as a unique secret to be hidden." Encouraging and cautioning, I bowed twice and accepted the books. I practiced daily. Within just over a year, my illness receded and addiction vanished; my spirit revived, my body became strong, and my strength gradually increased. Although future results cannot be guaranteed, I dare never neglect this practice. Thus, I narrate the beginning and end of entering the Dao at the front of the manuscript.
Respectfully preface by Zhou Shuguan, junior student of ancient Yuyu, in the middle of early summer, Yiwu year (1895), at Shiyin Studio.