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平半寸,长一寸六分,其头大末锐,其病热在头身宜此。
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其身员,锋如卵形,长一寸六分,肉分气满宜此。
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锋如黍粟之锐,长三寸五分,脉气虚少宜此。
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刃三隅,长一寸六分,泻热出血。发泄痼病宜此。
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一名铍针,末如剑锋,广二寸半,长四寸,破痈肿,出脓血。
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尖如毫,且员且利,中身微大,长一寸六分,调阴阳,去暴痹。
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法象毫尖,如蚊虻喙,长三寸六分,调经络,去疾病。
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锋如利,长七寸,痹深居骨解腰脊节奏之间者。
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一名 针。长四寸,风虚合于骨解皮肤之间者。
七十八难曰∶针有补泻,何谓也?然补泻之法,非必呼吸出内针也。
纪氏曰∶呼尽而内针,吸而引针者为补。吸则内针,呼尽出针为泻。此言补泻之时,非
必呼吸出内而已。
然知为针者信其左,不知为针者信其右。
纪氏曰∶然知为针信其左者,以左调右,有余不足,补泻于荥俞也。不知为针者信其右
,但一心用针,不知以左调右也。
当刺之时,先以左手压按所针荥俞之处,弹而努之,爪而下之,其气之来,如动脉之状
,顺
针而刺之,得气。因推而内之,是谓补。动而伸之,是谓泻。不得气,乃与男外女内。不得
气,是谓十死,不治也。
滑氏曰∶弹而努之,努读作怒;爪而下之,掏之稍重,皆欲致其气之至也。气至指下,
如动
脉之状,乃乘其至而刺之顺,犹循也乘也,停针待气,气至针动,是得气也。因推针而内之
,是谓补。动针而伸之,是谓泻。此越人心法,非呼吸出内也,是固然也。若停针候气,久
而不至,乃与男子则浅其针而候之卫气之分。女子则深其针而候之荣气之分。如此而又不得
气,是谓其病终不可治也。篇中前后二气字不同,不可不辨。前言气之来如动脉之状,未刺
之前左手所候之气也。后言得气不得气,针下所候之气也,此自两节。周仲立乃云∶凡候气
左手宜略重,候之不得,乃与男则少轻其手于卫气之分以候之,女则重其手于荣气之分以候
之。如此则既无前后之分,又昧停针待气之道,尚何所据为补泻耶。
六十九难曰∶经言虚者补之,实者泻之,不虚不实,以经取之。何谓也?然虚者补其母
,实
者泻其子,当先补之,然后泻之,不虚不实,以经取之。是正经自病,不中他邪也。当自取
其经,故言以经取之。
滑氏曰∶《灵枢》第十篇载∶十二经皆有盛则泻之,虚则补之,不盛不虚,以经取之。
虚者
补其母,实者泻其子,子能令母实,母能令子虚。假令肝病虚,即补厥阴之合,曲泉是也。
实则泻厥阴之荥,行间是也。先补后泻,即后篇阳气不足,阴气有余,当先补其阳,而后泻
其阴之意。若于此义不属,非阙误,则羡文也。不实不虚,以经取之者,即四十九难忧愁思
虑则伤心,形寒饮冷则伤肺,恚怒气逆则伤肝,饮食劳倦则伤脾,久坐湿地强力入水则伤肾
。盖正经之自病者也。杨氏曰∶不实不虚,是诸藏不相乘也,故云自取其经。
七十六难曰∶何谓补泻?当补之时,何所取气。当泻之时,何所置气。然当补之时,从
卫取
气,当泻之时,从荣置气。其阳气不足,阴气有余,当先补其阳,而后泻其阴。阴气不足,
阳气有余,当先补其阴,而后泻其阳。荣卫通行,此其要也。
滑氏曰∶《灵枢》五十二篇曰∶浮气不循经者为卫气,其精气之行于经者为荣气。盖补
则取
浮气之不循经者以补虚处,泻则从荣置其气而不用也,置、犹弃置之置。然人之病,虚实不
一,补泻之道,亦非一也。是以阳气不足而阴气有余,则先补阳而后泻阴以和之;阴气不足
而阳气有余,则先补阴而后泻阳以和之。如此则荣卫自然通行矣。
七十五难曰∶经言东方实,西方虚,泻南方,补北方,何谓也?然金木水火土,当更相
平。
东方木也,西方金也,木欲实金当平之,火欲实水当平之,土欲实木当平之,金欲实火当平
之,水欲实土当平之。东方肝也,则知肝实,西方肺也,则知肺虚。泻南方火,补北方水。
南方火,火者木之子也。北方水,水者木之母也。水胜火,子能令母实,母能令子虚。故泻
火补水,欲令金不得平木也。经曰∶不能治其虚,何问其余。此之谓也。
滑氏曰∶金不得平木,不字疑衍。东方实,西方虚,泻南方,补北方者,木金火水,欲
更相
平也。木火土金水之欲实,五行之贪胜而务权也。金水木火土之相平,以五行所胜而制其贪
也。经曰∶一脏不平,所胜平之。东方肝也,西方肺也,东方实,则知西方虚矣。若西方不
虚,则东方安得而过于实耶?或泻或补,要亦抑其甚而济甚不足,损过就中之道也。水能胜
火,子能令母实,母能令子虚。泻南方火者,夺子之气,使食母之有余。补北方水者,益子
之气,使不食于母也。如此则过者退,抑者进。金得平其木,而东西二方无复偏胜偏亏之患
矣。越人之意,大抵谓东方过于实,而西方之气不足,故泻火以抑其木,补水以济其金,是
乃使金得与木相停,故曰欲令金得平木也。若曰欲令金不得平木,则前后文义窒碍,竟说不
通。使肝木不过,肺金不虚,复泻火补水,不几于实实虚虚耶。《八十一难》文义,正与此
互相发明,九峰蔡氏谓水火金木土谷惟修,取相胜以泄其过,其意亦同。故结句云∶不能治
其虚,何问其余,若为知常而不知变者之戒也。此篇大意,在肝实肺虚,泻火补水上。或问
子能令母实,母能令子虚,当泻火补土为是。盖子有余则不食母之气,母不足则不能荫其子
。泻南方火,乃夺子之气,使食母之有余,补中央土,则益母之气,使得以荫其子也。今乃
泻火补水何欤?曰∶此越人之妙,一举而两得之者也。且泻火一则以夺木之气,一则以去金
之克。补水一则以益金之气,一则以制火之光。若补土则一于助金而已,不可施于两用,此
所以不补土而补水也。或又问母能令子实,子能令母虚,五行之道也。今越人乃谓子能令母
实,母能令子虚何哉?曰∶是各有其说也。母能令子实,子能令母虚者,五行之生化。子能
令母实,母能令子虚者,针家之予夺,固不相侔也。四明陈氏曰∶仲景云木行乘金名曰横。
《内经》曰∶气有余,则制己所胜而侮所不胜。木实金虚,是木横而凌金,侮所不胜也。木
实本以金平之,然以其气正强而横,金平之,则两不相伏而战,战则实者亦伤,虚者亦败。
金虚本资气于土,然其时土亦受制,未足以资之,故取水为金之子,又为木之母。于是泻火
补水,使水胜火,则火馁而取气于木,木乃减而不复。实水为木母,此母能令子虚也。木既
不实,其气乃平。平则金免木凌,而不复虚。水为金子,此子能令母实也。所谓金不得平木
,不得迳以金平其木,必泻火补水而旁治之,使木金之气自然两平耳。今按陈氏此说,亦自
有理。但为不之一字所缠,未免牵强费辞,不若直以不字为衍文尔。观《八十一难》中,当
知金平木一语,可见矣。王安道曰∶余每读至此,未尝不叹夫越人之得经旨而悼夫后世之失
经旨也。先哲有言∶凡读书不可先看注解,且将经文反复而详味之,得自家有新意。却以注
解参校,庶乎经意昭然,而不为他说所蔽。若先看注解,则被其说横吾胸中,自家却无新意
矣。余平生佩服此训,所益甚多。且如《难经》此篇,其言周备纯正,足为万世法,后人纷
纷之论,其可凭乎?夫实则泻之,虚则补之,此常道也。实则泻其子,虚则补其母,亦常道
也,人皆知之。今肝实肺虚,乃不泻肝而泻心,此则人亦知之。至于不补肺补脾而补肾,此
则人不能知,惟越人知之耳。夫子能令母实,母能令子虚,以常情观之,则曰心火实致肝木
亦实,此子能令母实也。脾土虚致肺金亦虚,此母能令子虚也。心火实固由自主,脾土虚乃
由肝木制之,法当泻心补脾,则肝肺皆平矣。越人则不然。其子能令母实,子谓火,母谓木
,固与常情无异。其母能令子虚,母谓水,子谓木,则与常情不同矣。故曰水者木之母也,
子能令母实一句,言病因也。母能令子虚一句,言治法也。其意盖曰∶火为木之子,子助其
母,使之过分而为病矣。今将何以处之,惟有补水泻火之治而已。夫补水者何谓也?盖水为
木之母,若补水之虚,使力可胜火,火势退而木势亦退。此则母能虚子之义,所谓不治之治
也。(此虚字,与精气夺则虚之虚字不同。彼虚谓耗其真而致虚,此虚谓抑其过而欲虚之也)
。若曰不然,则母能令子虚一句,将归之脾肺乎!既归于脾肺,今何不补脾乎?夫五行之道,
其所畏者,畏所克耳。今火大王,水大亏,火何畏乎?惟其无畏,则愈王而莫能制。苟非滋
水以求胜之,孰能胜也?水胜火三字,此越人寓意处。细观之,勿轻忽也!虽泻火补水并言,
然其要又在补水耳。后人乃言浊泻火,而不用补水,又曰泻火即是补水,得不大违越人与经之
意乎!若果不用补水,经不必言补北方,
越人不必言补水矣。虽水不虚,而火独暴王者,固不必补水亦可也。若先因水虚而致火王者
不补水可乎?水虚火王而不补水,则药至而暂息。药过而复作,将积年累月,无有穷已。安
能绝其根哉!虽苦寒之药,通为抑阳扶阴,不过泻火邪而已,终非肾藏本药,不能滋养北方
之真阴也。欲滋真阴,舍地黄、黄柏之属不可也。且夫肝之实也,其因有二∶心助肝,肝实
之一因也。肺不能制肝,肝实之二因也。肺之虚也,其因亦有二。心克肺,肺虚之一因也。
脾受肝克而不能生肺,肺虚之二因也。今补水而泻火,火退则木气削。又金不受克而制木,
东方不实矣。金气得平,又土不受克而生金,西方不虚矣。若以虚则补母言之,肺虚则当补
脾,岂知肝气正盛,克土之深,虽每日补脾,安能敌其正盛之势哉!纵使土能生金,金受火
克,亦所得不偿所失矣!此所以不补土而补水也。或疑木王补水,恐水生木而木愈王。故闻
独泻火不补水论,忻然而从之。殊不知木已王矣,何待生乎!况水之虚,虽峻补尚不能复其
本气,安有余力生木哉!若能生木,则能胜火矣。或又谓补水者,欲其不食于母也。不食于
母,则金气还矣。岂知火克金,土不生金,金之虚已极,尚不能自给,水虽欲食之,何所食
乎?若如此则金虚不由于火之克,土之不生,而由于水之食尔,岂理也哉!纵水不食金,金亦
未必能复常也。金不得平木一句,多一不字。所以泻火补水者,正欲使金得平木也。不字当
删去,不能治其虚,何问其余。虚,指肺虚而言也。泻火补水,使金得平木,正所谓能治其
虚。不补土,不补金,乃泻火补水,使金自平。此法之巧而妙者,苟不能晓此法,而不能治
此虚,则不须问其他,必是无能之人矣。故曰不能治其虚,何问其余。若夫上文所谓金木水
火土更相平之义,不劳解而自明,兹故弗具也。夫越人亚圣也。论至于此,敢不敛衽,但恨
说者之HT 蚀,故辨之。(武按∶滑氏受针法于东平高洞阳,故以针法补泻注。岂王氏不习针
,故以用药论,而补泻之理明矣。若经旨则针药皆通。)
七十二难曰∶经言能知迎随之气,可令调之。调气之方,必在阴阳。何谓也?然所谓迎
随者,知荣卫之流行,经脉之往来也。随其顺逆而取之,故曰迎随。
滑氏曰∶迎随之法,补泻之道也。迎者迎而夺之,随者随而济之。然必知荣卫之流行,
经脉
之往来,荣卫流行,经脉往来,其义一也。知之而后可以视夫病之逆顺,随其所当而为视泻
也。四明陈氏曰∶迎者,迎其气之方来而未盛也,以泻之。随者,随其气之方往来未虚也,
以补之。愚按迎随有二∶有虚实迎随,有子母迎随。陈氏之说,虚实迎随也。若七十九难所
载,子母迎随也。
调气之方,必在阴阳。知其内外表里,随其阴阳而调之,故曰调气之方,必在阴阳。
滑氏曰∶在,察也。内为阴,外为阳,表为阳,里为阴,察其病之在阴在阳而调之也。
杨氏曰∶高气之方,必在阴阳者。阴虚阳实,则补阴泻阳;阴虚阴实,则补阳泻阴;或
阳并
于阴。阴并于阳,或阴阳俱虚俱实,皆随其所见而调之。谢氏曰∶男外女内,表阳里阴。调
阴阳之气者,如从阳引阴,从阴引阳,阳病治阴,阴病治阳之类也。
七十九难曰∶经言迎而夺之,安得无虚。随而济之,安得无实。虚之与实,若得若失。
Needle (a type of acupuncture needle)
Flat half cun, one inch six fen in length. Its head is large and the tip is sharp. It is suitable for conditions where heat pathogenic factors are located in the head and body.
Round Needle (Yuan Zhen, a type of acupuncture needle)
Its body is round, and the tip is shaped like an egg. It is one inch six fen in length. It is suitable for regulating qi in areas with full flesh.
Di Needle (Di Zhen, a type of acupuncture needle)
The tip is as sharp as millet grains. It is three inches five fen in length. It is suitable for cases where pulse qi is deficient and scanty.
Sharp Needle (Feng Zhen, a type of acupuncture needle)
It has three edges. It is one inch six fen in length. It is used to drain heat and induce bleeding. It is suitable for expelling stubborn diseases.
Sword Needle (Pi Zhen, a type of acupuncture needle)
Also known as Pi Zhen. The end is like the edge of a sword. It is two inches and a half wide and four inches long. It is used to lance carbuncles and abscesses to discharge pus and blood.
Round-Sharp Needle (Yuan Li Zhen, a type of acupuncture needle)
The tip is like a filiform needle, both round and sharp. The middle part is slightly larger. It is one inch six fen in length. It is used to harmonize Yin and Yang and eliminate acute Bi syndrome (obstruction syndrome).
Filiform Needle (Hao Zhen, a type of acupuncture needle)
Modeled after the tip of a hair, resembling the proboscis of a mosquito or horsefly. It is three inches six fen in length. It is used to regulate the meridians and eliminate diseases.
Long Needle (Chang Zhen, a type of acupuncture needle)
The tip is sharp. It is seven inches long. It is suitable for deep-seated Bi syndrome located between bone fissures and spinal joints.
Moxibustion Needle / Fire Needle (Fan Zhen, a type of acupuncture needle)
Also known as Huo Zhen (Fire Needle). It is four inches long. It is suitable for wind pathogens combined with deficiency pathogens located between bone fissures and the skin.
Nanjing (Classic of Difficult Issues), Chapter 78 states: Acupuncture involves tonification and sedation methods. What does this mean? The answer is that the methods of tonification and sedation do not necessarily require coordinating breathing with needle insertion and withdrawal.
Master Ji said: Inserting the needle at the end of exhalation and withdrawing it during inhalation constitutes tonification. Inserting the needle during inhalation and withdrawing it at the end of exhalation constitutes sedation. This refers to the timing of tonification and sedation, which is not merely about breathing during needle manipulation.
However, those who understand acupuncture rely on the left hand, while those who do not understand acupuncture rely on the right hand.
Master Ji said: "Relying on the left hand" means using the left hand to regulate the right side, performing tonification or sedation at the Ying-Spring and Shu-Acupoints based on excess or deficiency. Those who do not understand acupuncture rely on the right hand, focusing solely on the needle without knowing how to use the left hand to regulate the right side.
When needling, first press the Ying-Spring or Shu-Acupoint to be needled with the left hand, flick it to make it protrude, and press down with the fingernail. When the arrival of Qi is felt, resembling the pulsation of an artery, insert the needle smoothly along the direction. Upon obtaining Deqi (needle sensation), push the needle deeper; this is called tonification. Shake and withdraw the needle slightly; this is called sedation. If Deqi is not obtained, adjust depth according to gender: shallow for men (Wei-Qi level) and deep for women (Ying-Qi level). Failure to obtain Deqi indicates ten deaths and untreatable conditions.
Master Hua said: "Flick and make it protrude" – "Nu" is pronounced as "Nu" (anger/swell); "Press down with nails" involves slightly heavier pressing. Both aim to elicit the arrival of Qi. When Qi arrives under the fingers, resembling arterial pulsation, proceed to insert the needle while the Qi is present. "Shun" (smooth/follow) implies following or taking advantage of the moment. Wait for Qi to arrive; when Qi arrives, the needle feels active; this is Deqi. Pushing the needle in is tonification; shaking and withdrawing is sedation. This is the secret method of Yue Ren (Bian Que), not relying on breathing for insertion/withdrawal, which is natural. If Qi does not arrive after waiting, for men, needle shallowly to await Wei-Qi; for women, needle deeply to await Ying-Qi. If still no Deqi, the disease is incurable. The term "Qi" appears twice with different meanings: the first "Qi" (resembling arterial pulsation before needling) refers to the Qi sensed by the left hand prior to insertion; the second "Qi" (obtaining or not obtaining Deqi) refers to the Qi sensed under the needle after insertion. These are two distinct phases. Zhou Zhongli stated that for sensing Qi, the left hand should press slightly harder; if unsuccessful, press lightly for men at the Wei-Qi level and heavily for women at the Ying-Qi level. This ignores the distinction between pre-insertion and post-insertion phases and violates the principle of waiting for Qi, making tonification/sedation basis unclear.
Nanjing, Chapter 69 states: The classic says treat deficiency with tonification, excess with sedation, and neither with direct meridian selection. What does this mean? The answer is: Tonify the Mother point for deficiency, sedate the Child point for excess. Generally, tonify first, then sedate. For neither excess nor deficiency, select points from the affected meridian directly. This indicates the meridian is diseased itself, not invaded by external pathogens. Hence, "select from the meridian."
Master Hua said: Ling Shu (Spiritual Pivot), Chapter 10 records: For all twelve meridians, excess requires sedation, deficiency requires tonification, and neither requires direct meridian selection. Deficiency tonifies the Mother, excess sedates the Child. The Child can make the Mother full; the Mother can make the Child empty. For example, Liver deficiency tonifies the He-Sea point of Jueyin, Ququan. Liver excess sedates the Ying-Spring point of Jueyin, Xingjian. Tonifying first then sedating aligns with the later chapter's principle: if Yang is deficient and Yin is excessive, tonify Yang first, then sedate Yin. If this logic is misunderstood, it may be a textual error or interpolation. "Neither excess nor deficiency, select from the meridian" refers to Nanjing Chapter 49: Worry and thought injure the Heart; cold exposure and cold drinks injure the Lungs; anger and qi rebellion injure the Liver; diet and overwork injure the Spleen; sitting long in dampness or strenuous water entry injure the Kidneys. These are self-injuries of the regular meridians. Master Yang said: "Neither excess nor deficiency" means no mutual overacting among organs, hence "select its own meridian."
Nanjing, Chapter 76 states: What are tonification and sedation? When tonifying, where is Qi taken from? When sedating, where is Qi placed? The answer is: When tonifying, take Qi from the Wei (Defensive) layer; when sedating, place Qi in the Ying (Nutritive) layer. If Yang is deficient and Yin is excessive, tonify Yang first, then sedate Yin. If Yin is deficient and Yang is excessive, tonify Yin first, then sedate Yang. The key is the free flow of Ying and Wei Qi.
Master Hua said: Ling Shu, Chapter 52 states: Floating Qi that does not follow the meridians is Wei-Qi; Essence Qi flowing within the meridians is Ying-Qi. Tonification takes the floating Wei-Qi to fill deficiency; sedation places Qi in the Ying layer and discards it ("Zhi" means discard). Since diseases vary in excess/deficiency, the methods of tonification/sedation also vary. Thus, if Yang is deficient and Yin excessive, tonify Yang then sedate Yin to harmonize; if Yin deficient and Yang excessive, tonify Yin then sedate Yang to harmonize. This ensures natural circulation of Ying and Wei Qi.
Nanjing, Chapter 75 states: The classic says East is Excess, West is Deficiency; Sedate South, Tonify North. What does this mean? The answer is: Metal, Wood, Water, Fire, Earth should balance each other. East is Wood, West is Metal. If Wood is excessive, Metal should control it; if Fire is excessive, Water should control it; if Earth is excessive, Wood should control it; if Metal is excessive, Fire should control it; if Water is excessive, Earth should control it. East corresponds to Liver (Excess); West corresponds to Lung (Deficiency). Sedate South (Fire), Tonify North (Water). South is Fire, the Child of Wood. North is Water, the Mother of Wood. Water controls Fire. The Child can make the Mother full; the Mother can make the Child empty. Therefore, sedating Fire and tonifying Water aims to allow Metal to control Wood. The classic says: "If you cannot treat the deficiency, why ask about the rest?" This is what it means.
Master Hua said: "Metal cannot control Wood" – the character "Bu" (not) is likely an interpolation. East Excess, West Deficiency, Sedate South, Tonify North reflects the desire of Wood, Metal, Fire, Water to balance. The desire for Wood, Fire, Earth, Metal, Water to be full represents the greed for dominance in the Five Elements. Their mutual balancing uses the controlling cycle to restrain greed. The classic says: If one Zang is unbalanced, the element that controls it balances it. East is Liver, West is Lung. If East is Excess, West must be Deficient. If West were not deficient, how could East be excessively excess? Tonification or sedation aims to suppress the extreme and aid the deficient, following the path of moderation. Water controls Fire. Sedating South (Fire) steals the Child's Qi, forcing it to consume the Mother's excess. Tonifying North (Water) benefits the Child's Qi, preventing it from consuming the Mother. This reduces excess and aids suppression. Metal can then control Wood, eliminating imbalance in East and West. Yue Ren's intent is that since East is overly excess and West is deficient, sedating Fire suppresses Wood, and tonifying Water assists Metal, allowing Metal to balance Wood. Saying "Metal cannot control Wood" creates logical contradictions. If Liver Wood is not excessive and Lung Metal is not deficient, sedating Fire and tonifying Water would constitute "tonifying excess and sedating deficiency," which is wrong. Nanjing Chapter 81 clarifies this. Cai Shifeng of Jiufeng stated that cultivating the elements through mutual control to relieve excess shares the same intent. The concluding sentence, "If you cannot treat the deficiency, why ask about the rest," warns against those who know the constant but not the variable. The main point is Liver Excess and Lung Deficiency, treated by sedating Fire and tonifying Water.
Question: Since "Child makes Mother full, Mother makes Child empty," shouldn't we sedate Fire and tonify Earth? Because if the Child is sufficient, it doesn't consume the Mother's Qi; if the Mother is deficient, it cannot nourish the Child. Sedating Fire steals Child Qi to consume Mother's excess; tonifying Central Earth benefits Mother Qi to nourish the Child. Why sedate Fire and tonify Water?
Answer: This is Yue Ren's brilliance, achieving two goals at once. Sedating Fire achieves two things: stealing Wood's Qi and removing Fire's restriction on Metal. Tonifying Water achieves two things: benefiting Metal's Qi and restraining Fire's brightness. Tonifying Earth only benefits Metal, which is insufficient for dual purposes. Hence, tonify Water instead of Earth.
Question: "Mother makes Child full, Child makes Mother empty" is the Way of Five Elements. Why does Yue Ren say "Child makes Mother full, Mother makes Child empty"?
Answer: There are different theories. "Mother makes Child full, Child makes Mother empty" refers to the generation cycle. "Child makes Mother full, Mother makes Child empty" refers to acupuncture manipulation (giving/taking), which differs from biological generation.
Master Chen Siming of Siming said: Zhang Zhongjing stated that Wood overacting on Metal is called "Heng" (Horizontal). Nei Jing states: When Qi is excessive, it controls what it normally controls and insults what it normally fears. Wood Excess and Metal Deficiency represent Wood insulting Metal (insulting the unconquerable). Normally, Metal controls Wood. But if Wood is strong and horizontal, Metal's control leads to conflict, harming both. Metal needs Earth for support, but Earth is controlled by Wood at this time. Thus, Water is chosen as Metal's Child and Wood's Mother. Sedating Fire and tonifying Water allows Water to control Fire. Fire becomes weak and draws Qi from Wood, reducing Wood. Tonifying Water (Wood's Mother) makes the Child empty (Mother makes Child empty via reduction of Wood). Once Wood is balanced, Metal is no longer insulted and recovers. Water (Metal's Child) makes the Mother full (Child makes Mother full). "Metal cannot control Wood" means not directly using Metal to control Wood, but indirectly via sedating Fire and tonifying Water to naturally balance Wood and Metal. Chen's theory has merit but is constrained by the word "not," leading to forced explanations. Deleting "not" is simpler. See Nanjing Chapter 81 for confirmation.
Wang Andao said: I always sigh at Yue Ren's grasp of the Classic's intent and lament later generations' loss of it. Ancients said: Do not read commentaries first. Read the text repeatedly to find your own understanding, then compare with commentaries. Otherwise, preconceived ideas block new insights. I admire this advice. Nanjing Chapter 75 is comprehensive and pure, a model for eternity. Later debates are unreliable. Treating excess by sedating, deficiency by tonifying is standard. Sedating the Child for excess, tonifying the Mother for deficiency is also standard. Everyone knows treating Liver Excess/Lung Deficiency by sedating Heart (Fire) instead of Liver. But tonifying Kidney (Water) instead of Spleen (Earth) is unknown to most, known only to Yue Ren.
Common sense: Heart Fire Excess causes Liver Wood Excess (Child makes Mother full). Spleen Earth Deficiency causes Lung Metal Deficiency (Mother makes Child empty). Heart Fire is autonomous; Spleen Deficiency is caused by Liver controlling Earth. Standard treatment: Sedate Heart, Tonify Spleen to balance Liver and Lung.
Yue Ren disagrees. "Child makes Mother full": Child is Fire, Mother is Wood (same as common sense). "Mother makes Child empty": Mother is Water, Child is Wood (differs from common sense). "Water is Mother of Wood." "Child makes Mother full" explains etiology. "Mother makes Child empty" explains treatment. Intent: Fire (Child) helps Wood (Mother) become excessive and pathological. Treatment: Tonify Water, Sedate Fire.
Why Tonify Water? Water is Mother of Wood. Tonifying Water's deficiency enables it to control Fire. As Fire recedes, Wood recedes. This is "Mother makes Child empty" (suppressing excess to create emptiness/reduction). Note: This "empty" differs from "Essence and Qi depletion causes deficiency." Here, it means suppressing excess to induce reduction.
If this logic applied to Spleen/Lung, why not Tonify Spleen? In Five Elements, fear comes from being controlled. Fire is strong, Water is weak. Fire fears nothing. Without fear, Fire grows unchecked. Only by nourishing Water can it be overcome. "Water controls Fire" is Yue Ren's key insight. Although both sedating Fire and tonifying Water are mentioned, the key is tonifying Water. Later practitioners who only sedate Fire without tonifying Water, or claim "sedating Fire is tonifying Water," deviate significantly from Yue Ren and the Classic. If tonifying Water were unnecessary, the Classic wouldn't mention "Tonify North," nor would Yue Ren. Even if Water is not deficient but Fire is violently excessive, tonifying Water might seem optional. However, if Fire excess stems from initial Water deficiency, failing to tonify Water is fatal. Medicines may temporarily suppress Fire, but it returns after medication ends, becoming chronic. Bitter-cold herbs suppress Yang and support Yin but only clear Fire pathogen; they do not nourish the True Yin of the North (Kidney). To nourish True Yin, Rehmannia and Phellodendron are essential.
Liver Excess has two causes: 1. Heart assists Liver. 2. Lung fails to control Liver.
Lung Deficiency has two causes: 1. Heart controls Lung. 2. Spleen, controlled by Liver, fails to generate Lung.
By tonifying Water and sedating Fire: Fire recedes, Wood weakens. Metal is no longer controlled by Wood and can control Wood (East not Excess). Metal Qi balances, Earth is no longer controlled by Wood and generates Metal (West not Deficient).
If we followed "Tonify Mother for Deficiency," Lung Deficiency would require Tonifying Spleen. But Liver Qi is strong and deeply controls Earth. Daily Spleen tonification cannot counter strong Liver. Even if Earth generates Metal, Metal is controlled by Fire, resulting in net loss. Hence, Tonify Water, not Earth.
Doubt: Tonifying Water might generate Wood, worsening Wood Excess. Some prefer sedating Fire only.
Refutation: Wood is already excessive; it doesn't need generation. Water deficiency is severe; even heavy tonification struggles to restore original Qi, let alone generate Wood. If Water could generate Wood, it would control Fire.
Another doubt: Tonifying Water prevents it from consuming the Mother (Metal). If Water doesn't consume Metal, Metal Qi returns.
Refutation: Fire controls Metal, Earth fails to generate Metal. Metal is extremely deficient and cannot sustain itself. Even if Water wanted to "consume" (support) Metal, there is nothing to consume. If Metal deficiency were due to Water consuming it, that would be illogical. Even if Water doesn't consume Metal, Metal may not recover.
The phrase "Metal cannot control Wood" contains an extra "Not." Sedating Fire and tonifying Water aims to allow Metal to control Wood. Delete "Not."
"Cannot treat deficiency, why ask about rest": "Deficiency" refers to Lung Deficiency. Sedating Fire and tonifying Water allows Metal to control Wood, effectively treating the deficiency. Not tonifying Earth or Metal, but using this indirect method, is clever. If one cannot understand this method and treat this deficiency, they are incompetent. Hence, "why ask about the rest."
The earlier discussion on mutual balancing of Five Elements is self-evident and thus omitted. Yue Ren is a near-sage. I bow to his argument but correct erroneous interpretations.
(Note: Master Hua learned acupuncture from Gao Dongyang of Dongping, so he annotated tonification/sedation using acupuncture principles. Perhaps Master Wang was unfamiliar with acupuncture and discussed it via herbal medicine, clarifying the principles. However, the Classic's intent applies to both acupuncture and herbal medicine.)
Nanjing, Chapter 72 states: The classic says knowing the Qi of Ying and Sui (Meeting and Following) allows regulation. The method of regulating Qi must lie in Yin and Yang. What does this mean? The answer is: Ying and Sui refer to knowing the circulation of Ying and Wei Qi and the flow of meridians. Following their direction (with or against) constitutes Ying and Sui.
Master Hua said: Ying and Sui methods are paths of tonification and sedation. Ying (Meeting) is meeting and draining (sedating); Sui (Following) is following and assisting (tonifying). One must know Ying/Wei circulation and meridian flow. Understanding this allows assessing disease reversal/adherence and applying appropriate sedation/tonification.
Master Chen Siming said: Ying (Meeting) targets Qi as it approaches but is not yet strong, using sedation. Sui (Following) targets Qi as it passes but is not yet depleted, using tonification.
My analysis: Ying and Sui have two types: Excess/Deficiency Ying/Sui, and Mother/Child Ying/Sui. Chen's view refers to Excess/Deficiency. Nanjing Chapter 79 refers to Mother/Child.
Regulating Qi lies in Yin and Yang. Knowing interior/exterior and table/depth, regulate according to Yin/Yang. Hence, "Regulating Qi lies in Yin and Yang."
Master Hua said: "Zai" means observe. Interior is Yin, Exterior is Yang; Table is Yang, Depth is Yin. Observe whether the disease is in Yin or Yang and regulate accordingly.
Master Yang said: Regulating Qi lies in Yin/Yang. If Yin Deficient/Yang Excessive, tonify Yin/sedate Yang. If Yin Deficient/Yin Excessive, tonify Yang/sedate Yin. Or Yang merging into Yin, Yin merging into Yang, or both Yin/Yang deficient/excessive. Regulate based on presentation.
Master Xie said: Men are Exterior/Yang, Women are Interior/Yin; Table is Yang, Depth is Yin. Regulating Yin/Yang Qi includes drawing Yin from Yang, Yang from Yin, treating Yin diseases via Yang, Yang diseases via Yin, etc.
Nanjing, Chapter 79 states: The classic says Ying (Meeting) and draining results in emptiness. Sui (Following) and assisting results in fullness. Emptiness and Fullness feel like gaining or losing.