七十三难曰∶诸井者,肌肉浅薄,气少不足使也,刺之奈何?
然∶诸井者,木也。荥者,火
也。火者木之子,当刺井者,以荥泻之。故经言补者不可以为泻,泻者不可以为补,此之谓也。
诸井在手足指梢,故曰肌肉浅薄也。气藏于肌肉之内,肌肉浅薄,则气亦微,故曰气少不足
使也。井为木,是火之母,荥为火,是木之子,故肝木实,泻其荥,此泻子之法也。如用补,则
当补其合也。但泻之复不能补,故曰不可以为补。盖泻则当以子,补则当以母,不可误施也。
六十九难以别经为子母,此则以一经为子母,义虽各殊,其理一也。
按∶滑氏曰∶详越人此说,专为泻井者言也,若当补井,则必补其合,故引经言补者不可以
为泻,泻者不可以为补,各有攸当也。补泻反,则病益笃,而有实实虚虚之患,可不谨欤!不然
泻子法下,“故”字上,该有论补母之法,故以此二句总结之,否则文气不属,此中或有阙简,
经言无考,姑俟知者。
七十四难曰∶经言春刺井,夏刺荥,季夏刺输、秋刺经,冬刺合者,何谓也?
然∶春刺井者,
邪在肝;夏刺荥者,邪在心;季夏刺输者,邪在脾;秋刺经者,邪在肺;冬刺合者,邪在肾。
春刺井者,井为木,非必春刺井,以其邪在肝木也。荥为火,夏刺荥者,以其邪在心火也。
输为土,季夏刺输者,以其邪在脾土也。经为金,秋刺经者,以其邪在肺金也。合为水,冬刺
合者,以其邪在肾水也。经言无考,越人去古未远,古医经犹得见之,而今亡矣。
按∶《灵枢·顺气一日分为四时篇》曰∶藏主冬,冬刺井;色主春,春刺荥;时主夏,夏刺
输;音主长夏,长夏刺经;味主秋,秋刺合。是为五变,以主五俞,与此同。盖以五脏之气,应
五时之变,而取五俞,各有所主,刺隔一穴者,皆从子以透发母气也。一言刺之正,一言刺之变,
所以不同也。若四时气篇曰∶春取经,血脉分肉之间,甚者深取之,间者浅刺之。夏取盛经孙络,
取分肉间,绝皮肤。秋取经输,邪在腑,取之合。冬取井荥,必深留之。此言四时之气,各有所
在,故春取经脉于分肉之间,夏取盛经孙络,分肉皮肤,盖春夏之气,从内而外也。秋取经输,邪
在腑,取之合,此秋气之复从外而内也。冬取井荥,必深留之,谓冬气之藏于内也。本输篇曰∶春
取络脉诸荥,大筋分肉之间,甚则深取之,间者浅取之,夏取诸输孙络,肌肉皮肤之上。秋取诸
合,余如春法。冬取诸井诸输之分,故深留之。此言阴阳气血,随四时之生长收藏,而浅深出入
也。春气在脉,故宜取络脉。夏气在孙络,长夏气在肌肉,故宜取孙络肌肉皮肤之上,此春夏之
气,从内而外也。秋气降收,故如春法。盖复从孙络而入于络脉也。
冬气收藏,故欲深而留之。此四时出入之序,人气之所处,病之所舍,五脏应五时之所宜也。此两
节又不同,然各有义理所在,不必求合也。
其肝心脾肺肾,而系于春夏秋冬者,何也?
然∶五脏一病,辄有五也。假令肝病,色青者肝也,
臊臭者肝也;喜酸者肝也,喜呼者肝也,喜泣者肝也,其病众多,不可尽言也。四时有数,而并系
于春夏秋冬者也。针之要妙,在于秋毫者也。
此复问肝心脾肺肾系于春夏秋冬之故,然五脏一病,辄有五邪,未可拘也。假令肝病,色青
者肝也,肝主色也。臊臭者肝也,而中有心病,心主臭,入肝为臊也。喜酸者肝也,而中有脾
病,脾主味,入肝为酸也。喜呼者肝也,而中有肺病,肺主声,入肝为呼也。喜泣者肝也,而
中有肾病,肾主液,入肝为泣也。举一肝脏,余可类推,以明五脏六腑之病众多,不止于此,
而皆统于金木水火土五行之所属,如四时之有定数,而并系于春夏秋冬之所属也。然其用针要
妙,则在于秋毫之间,而其变无穷也。惟所问五脏之病,何以与四时相应,而答辞止言病状如
此,滑氏疑有阙误,信夫。
七十三难说:所有的井穴,位于肌肉浅薄的地方,经气微弱不足以施治,应当如何针刺?
回答说:所有的井穴属木。荥穴属火。火是木之子,当需要刺井穴时,应当通过泻其荥穴来治疗。所以经文说“补法不能当作泻法用,泻法不能当作补法用”,说的就是这个道理。
所有的井穴位于手足指(趾)梢端,所以说肌肉浅薄。气藏于肌肉之内,肌肉浅薄,则气也微弱,所以说气少不足以施治。井穴属木,是火之母;荥穴属火,是木之子,所以肝木实证,应泻其荥穴,这是“泻子”的方法。如果要补,则应当补其合穴。但是泻法之后不能再作为补法使用,所以说不能当作补法。大概泻法应当取子穴,补法应当取母穴,不可误用。
六十九难是通过区分不同的经脉来辨别子母关系,而本难是通过同一经脉内的穴位来辨别子母关系,含义虽然各有不同,但原理是一致的。
按语:滑寿氏说:详细考察越人(扁鹊)的这段论述,专门是针对泻井穴而言的,如果是应当补井穴,则必须补其合穴,所以引用经文说补者不可以为泻,泻者不可以为补,各自有适当的用法。如果补泻反了,病情就会加重,产生“实实虚虚”(使实证更实、虚证更虚)的祸患,能不谨慎吗!否则在“泻子法”之下,“故”字上面,本该有关于补母法的论述,因此用这两句话总结,否则文意不连贯,这里可能有缺简,经文无法考证,暂且等待 knowledgeable 的人补充。
七十四难说:经文说春天刺井穴,夏天刺荥穴,长夏刺输穴,秋天刺经穴,冬天刺合穴,这是什么意思?
回答说:春天刺井穴,是因为邪气在肝;夏天刺荥穴,是因为邪气在心;长夏刺输穴,是因为邪气在脾;秋天刺经穴,是因为邪气在肺;冬天刺合穴,是因为邪气在肾。
春天刺井穴,因为井穴属木,并非一定要在春天才刺井穴,而是因为邪气在肝木。荥穴属火,夏天刺荥穴,是因为邪气在心火。输穴属土,长夏刺输穴,是因为邪气在脾土。经穴属金,秋天刺经穴,是因为邪气在肺金。合穴属水,冬天刺合穴,是因为邪气在肾水。原经文已不可考,越人离古代不远,还能看到古医经,但现在已经失传了。
按语:《灵枢·顺气一日分为四时篇》说:脏主冬,冬刺井;色主春,春刺荥;时主夏,夏刺输;音主长夏,长夏刺经;味主秋,秋刺合。这称为五变,用来主治五俞穴,与此相同。大概是五脏之气,对应五时的变化,而选取五俞穴,各有所主,针刺间隔一个穴位,都是从子穴透发母气。一种说法讲的是刺法的正法,一种说法讲的是刺法的变法,所以不同。另外《四时气篇》说:春天取经穴,在血脉分肉之间,病重的深刺,病轻的浅刺。夏天取盛经孙络,取分肉间,穿透皮肤。秋天取经输穴,邪气在腑,取合穴。冬天取井穴荥穴,必须深刺久留。这是说四时之气,各有所在,所以春天取经脉于分肉之间,夏天取盛经孙络,分肉皮肤,大概春夏之气,是从内向外发展的。秋天取经输穴,邪气在腑,取合穴,这是秋气从外向内回归。冬天取井穴荥穴,必须深刺久留,是说冬气收藏于内。《本输篇》说:春天取络脉诸荥穴,大筋分肉之间,病重的深取,病轻的浅取;夏天取诸输穴孙络,肌肉皮肤之上;秋天取诸合穴,其余像春天的方法;冬天取诸井穴诸输穴之分,所以深刺久留。这是说阴阳气血,随着四时的生长收藏,而深浅出入。春气在脉,所以宜取络脉。夏气在孙络,长夏气在肌肉,所以宜取孙络肌肉皮肤之上,这是春夏之气从内向外。秋气降收,所以像春天的方法,大概是从孙络进入络脉。冬气收藏,所以想要深刺并久留。这是四时出入的顺序,人气所处的位置,病邪停留的地方,五脏适应五时的适宜之法。这两段内容又不同,然而各有义理所在,不必强求一致。
为什么肝心脾肺肾,分别关联于春夏秋冬呢?
回答说:五脏每一脏生病,往往都有五种表现。假如肝病,面色青的是肝,臊臭气味的是肝,喜欢酸味的是肝,喜欢呼喊的是肝,喜欢哭泣的是肝,它的病症很多,不能完全说完。四季有一定的规律,并且都关联于春夏秋冬。针刺的要妙,在于秋毫般细微之处。
这里再次询问肝心脾肺肾关联于春夏秋冬的原因,回答说五脏一病,就有五种邪气,不可拘泥。假如肝病,面色青的是肝,因为肝主色。臊臭气味的是肝,其中可能有心病,心主臭,入肝表现为臊。喜欢酸味的是肝,其中可能有脾病,脾主味,入肝表现为酸。喜欢呼喊的是肝,其中可能有肺病,肺主声,入肝表现为呼。喜欢哭泣的是肝,其中可能有肾病,肾主液,入肝表现为泣。举一例肝脏,其余可以类推,以说明五脏六腑的病众多,不止于此,而且都统属于金木水火土五行所属,如同四季有一定的定数,并且都关联于春夏秋冬所属。然而其用针要妙,在于秋毫之间,而其变化无穷。只是所问五脏之病,为何与四时相应,而回答只说了病症如此,滑寿氏怀疑有缺误,确实如此。
Chapter 73 states: All Jing-Well points are located where the muscle is shallow and thin, and the Qi is scanty and insufficient for treatment. How should they be needled?
The answer is: All Jing-Well points belong to Wood. Ying-Spring points belong to Fire. Fire is the son of Wood. When it is necessary to needle a Jing-Well point, one should drain its Ying-Spring point. Thus, the classics say that tonification cannot be used as drainage, and drainage cannot be used as tonification; this is what is meant.
All Jing-Well points are located at the tips of the fingers and toes, hence it is said that the muscle is shallow and thin. Qi resides within the muscle. If the muscle is shallow and thin, then the Qi is also weak; hence it is said that the Qi is scanty and insufficient for use. The Jing-Well point belongs to Wood, which is the mother of Fire; the Ying-Spring point belongs to Fire, which is the son of Wood. Therefore, in cases of Liver-Wood excess, one drains its Ying-Spring point; this is the method of "draining the son." If tonification is required, one should tonify its He-Sea point. However, after draining, it cannot be used as tonification; hence it is said that it cannot serve as tonification. Generally, for drainage, one should select the son point; for tonification, one should select the mother point. One must not apply them incorrectly.
Chapter 69 distinguishes the mother-son relationship by differentiating between meridians, whereas this chapter distinguishes it within a single meridian. Although the meanings differ, the underlying principle is the same.
Commentary: Mr. Hua (Shou) stated: A detailed examination of Yue Ren's (Bian Que's) statement reveals that it specifically refers to draining the Jing-Well point. If the Jing-Well point requires tonification, one must tonify its He-Sea point. Hence, he cites the classic saying that "tonification cannot be used as drainage, and drainage cannot be used as tonification," indicating that each has its appropriate application. If tonification and drainage are reversed, the disease will worsen, leading to the danger of "making the excess more excess and the deficiency more deficient" (shí shí xū xū). Can one not be cautious! Otherwise, below the "method of draining the son," there should have been a discussion on the "method of tonifying the mother" above the character "Gu" (therefore), summarized by these two sentences. Otherwise, the textual flow would be disjointed. There may be missing bamboo slips here, and since the original text cannot be verified, we shall leave it for those who know better to supplement.
Chapter 74 states: The classics say that in Spring one needles Jing-Well points, in Summer one needles Ying-Spring points, in Late Summer one needles Shu-Stream points, in Autumn one needles Jing-River points, and in Winter one needles He-Sea points. What does this mean?
The answer is: In Spring, one needles Jing-Well points because the pathogenic factor is in the Liver; in Summer, one needles Ying-Spring points because the pathogenic factor is in the Heart; in Late Summer, one needles Shu-Stream points because the pathogenic factor is in the Spleen; in Autumn, one needles Jing-River points because the pathogenic factor is in the Lungs; in Winter, one needles He-Sea points because the pathogenic factor is in the Kidneys.
In Spring, one needles Jing-Well points because the Jing-Well point belongs to Wood. It is not necessarily that one only needles Jing-Well points in Spring, but rather because the pathogenic factor is in Liver-Wood. The Ying-Spring point belongs to Fire; in Summer, one needles Ying-Spring points because the pathogenic factor is in Heart-Fire. The Shu-Stream point belongs to Earth; in Late Summer, one needles Shu-Stream points because the pathogenic factor is in Spleen-Earth. The Jing-River point belongs to Metal; in Autumn, one needles Jing-River points because the pathogenic factor is in Lung-Metal. The He-Sea point belongs to Water; in Winter, one needles He-Sea points because the pathogenic factor is in Kidney-Water. The original classic text is no longer available. Yue Ren was not far removed from antiquity and could still see ancient medical classics, but they have now perished.
Commentary: The *Ling Shu · Chapter on Dividing One Day into Four Times* states: The Zang organs govern Winter, so in Winter one needles Jing-Well points; colors govern Spring, so in Spring one needles Ying-Spring points; seasons govern Summer, so in Summer one needles Shu-Stream points; sounds govern Late Summer, so in Late Summer one needles Jing-River points; tastes govern Autumn, so in Autumn one needles He-Sea points. These are called the Five Changes, governing the Five Shu points, which is consistent with the above. It seems that the Qi of the Five Zang organs corresponds to the changes of the Five Seasons, and when selecting the Five Shu points, each has its specific governance. Needling a point separated by one position implies transmitting the Qi of the mother through the son. One statement describes the orthodox method of needling, while the other describes the variable method, hence the difference. Additionally, the *Si Shi Qi Pian* (Chapter on Qi of the Four Seasons) states: In Spring, select Jing-River points, between the blood vessels and muscles; if severe, needle deeply; if mild, needle superficially. In Summer, select abundant meridians and collateral vessels, between the muscles, penetrating the skin. In Autumn, select Jing-Shu points; if the pathogen is in the Fu organs, select He-Sea points. In Winter, select Jing-Well and Ying-Spring points, and must needle deeply and retain the needle. This indicates that the Qi of the four seasons resides in different places. Thus, in Spring, one selects meridians between the muscles; in Summer, one selects abundant meridians and collateral vessels, between the muscles and skin. This is because the Qi of Spring and Summer develops from the interior to the exterior. In Autumn, one selects Jing-Shu points; if the pathogen is in the Fu organs, one selects He-Sea points. This reflects the autumn Qi returning from the exterior to the interior. In Winter, one selects Jing-Well and Ying-Spring points and must needle deeply and retain the needle, indicating that winter Qi stores within the interior. The *Ben Shu Pian* (Chapter on Original Transmissions) states: In Spring, select various Ying-Spring points of the collaterals, between the large tendons and muscles; if severe, select deeply; if mild, select superficially. In Summer, select various Shu-Stream points and collateral vessels, upon the muscles and skin. In Autumn, select various He-Sea points, and proceed as in Spring. In Winter, select the divisions of various Jing-Well and Shu-Stream points, hence needle deeply and retain the needle. This describes how Yin and Yang, Qi and Blood, follow the growth, flourishing, harvesting, and storing of the four seasons, moving in and out with varying depth. Since Spring Qi is in the meridians, it is suitable to select collateral vessels. Summer Qi is in the collateral vessels, and Late Summer Qi is in the muscles; thus, it is suitable to select the upper layers of collateral vessels, muscles, and skin. This represents the Qi of Spring and Summer moving from the interior to the exterior. Autumn Qi descends and gathers, so it proceeds as in Spring, generally re-entering from the collateral vessels into the meridians. Winter Qi stores and collects, so one desires deep needling and retention. This is the sequence of entry and exit of the four seasons, the location of human Qi, the abode of pathogens, and the appropriateness of the Five Zang organs corresponding to the five seasons. These two sections differ, yet each contains its own rationale, and there is no need to force them to align.
Why are the Liver, Heart, Spleen, Lungs, and Kidneys associated with Spring, Summer, Late Summer, Autumn, and Winter respectively?
The answer is: Each of the Five Zang organs, when diseased, manifests in five ways. For example, in Liver disease: a green complexion indicates the Liver; a musky odor indicates the Liver; a preference for sour taste indicates the Liver; a tendency to shout indicates the Liver; and a tendency to weep indicates the Liver. Its symptoms are numerous and cannot be fully enumerated. The four seasons have fixed numbers and are all associated with Spring, Summer, Late Summer, Autumn, and Winter. The subtlety of needling lies in the finest details (like the tip of an autumn hair).
This passage asks again why the Liver, Heart, Spleen, Lungs, and Kidneys are associated with the four seasons. The answer states that when one of the Five Zang organs is diseased, there are five types of pathogens, so one should not be rigid. For instance, in Liver disease: a green complexion indicates the Liver because the Liver governs color. A musky odor indicates the Liver, but internally there may be Heart disease; the Heart governs smell, and when entering the Liver, it manifests as musky. A preference for sour taste indicates the Liver, but internally there may be Spleen disease; the Spleen governs taste, and when entering the Liver, it manifests as sour. A tendency to shout indicates the Liver, but internally there may be Lung disease; the Lungs govern sound, and when entering the Liver, it manifests as shouting. A tendency to weep indicates the Liver, but internally there may be Kidney disease; the Kidneys govern fluids, and when entering the Liver, it manifests as weeping. Taking the Liver as an example, the others can be inferred. This clarifies that the diseases of the Five Zang and Six Fu organs are numerous and not limited to this, but are all unified under the attributes of Metal, Wood, Water, Fire, and Earth, just as the four seasons have fixed numbers and are all associated with Spring, Summer, Late Summer, Autumn, and Winter. However, the subtlety of needling lies in the finest details, and its variations are infinite. The question asked why the diseases of the Five Zang organs correspond to the four seasons, but the answer only described the symptom patterns. Mr. Hua suspected there might be missing or erroneous text, which is indeed plausible.