地黄(砂仁酒拌,九蒸九晒,八两) 山茱萸(酒润) 山药(各四两) 茯苓 丹皮 泽泻(各三两) 蜜
丸,空心盐汤下。冬,酒下。熟地滋肾君药,然遇气药则运用于上,遇血药则流行
于经,不能制其一线入肾也,故以五者佐之。山药阴金也,(质重属阴,色白属金也。)能助
肺气之下降;山茱萸阴木也,(酸属木,润属阴。)能敛肝气之迅升,水火升降,必由金木
为道路,二者为左右降下之主,以制其旁轶。且补其母而水出高原,补其子(茱萸补肝
血也。)而不盗母气。又用丹皮泻南以补北,降火以滋阴,茯苓之淡泄,以降阴中之阳。
(肾中之邪,火也。水虚者,火必上炎。茯苓藏伏地中,为日最久,沉阴可知,故能降上炎之阴火,用茯苓正取其淡
泄。昧者反以乳制之,可笑。)泽泻之咸泄,以降阴中之阴。(膀胱中混浊之水液也。肾热则水液混浊,泻
其腑,正所以安其脏也。补肾水乃滋其润泽之气,无形之癸水也。若有形之壬水,须流行不蓄,否则泛溢为灾,即
不混浊,亦须导之。或疑泽泻泄肾,昧矣。)五者色色皆降,共挽地黄下趋,所谓治下制以急也。
(得力尤在苓、泻二味,常常下泄,则群药为其所导。味者嫌其渗泄而去之,加入补肾群品,久服气积,下泄无路,
势必上涌矣。故曰∶六味之苓、泻,补中之升、柴、流湿就燥,分道扬镳,皆必不可去者也。补中升也,清升则浊
降,故谓补中以升为降。六味降也,火降则水上升,故谓六味以降为升。水何以升,水足则上润也。)
Rehmanniae Radix Praeparata (mixed with wine of Amomi Fructus, steamed and sun-dried nine times each, eight liang) Corni Fructus (moistened with wine) Dioscoreae Rhizoma (each four liang) Poria (three liang) Moutan Cortex (three liang) Alismatis Rhizoma (three liang) Honey
Made into pills, taken on an empty stomach with salt water. In winter, taken with wine. Shu Di Huang (Prepared Rehmannia Root) is the principal herb for nourishing Kidney Yin. However, when combined with Qi-moving herbs, it acts upon the upper body; when combined with Blood-invigorating herbs, it circulates in the meridians, and cannot guide its essence directly into the Kidneys. Therefore, these five herbs are used as assistants. Shan Yao (Dioscorea Rhizome) belongs to Yin Metal (its heavy texture corresponds to Yin, and white color corresponds to Metal). It assists the descent of Lung Qi. Shan Zhu Yu (Cornus Fruit) belongs to Yin Wood (sour taste corresponds to Wood, moistening nature corresponds to Yin). It restrains the rapid ascent of Liver Qi. The ascent and descent of Water and Fire must pass through Metal and Wood as pathways. These two herbs act as the primary agents for descending from the left and right, thereby restraining aberrant movement. Furthermore, by tonifying the Mother organ, the source of Water becomes abundant (metaphorically "originating from the high plateau"), and by tonifying the Child organ (Shan Zhu Yu tonifies Liver Blood), it avoids stealing Qi from the Mother organ. Additionally, Mu Dan Pi (Moutan Bark) clears the South (Heart Fire) to tonify the North (Kidney Water), lowering fire to nourish Yin. Fu Ling (Poria) has a bland draining action to descend Yang within Yin. (The pathogen in the Kidney is Fire. When Kidney Water is deficient, Fire inevitably flares upward. Fu Ling hides deep in the earth and absorbs sunlight for the longest time, indicating its profound Yin/cold nature; thus, it can descend the flaming Yin-Fire. Using Fu Ling precisely exploits its bland-draining property. Ignorant practitioners instead process it with milk, which is laughable.) Ze Xie (Alisma Rhizome) has a salty draining action to descend Yin within Yin. (This refers to turbid fluids in the Bladder. When the Kidney is hot, body fluids become turbid. Draining the Fu organ is precisely to calm the Zang organ. Tonifying Kidney Water means nourishing its moistening Qi, which is the formless Gui Water. If there is formed Ren Water, it must circulate without stagnation; otherwise, it will overflow and cause disaster. Even if not turbid, it must be guided out. Some suspect that Ze Xie drains the Kidney, which is ignorant.) All five of these herbs have descending properties, collectively pulling down the tendency of Di Huang (Rehmannia) to sink excessively. This is what is meant by "treating lower disorders requires urgent/descending methods." (The efficacy relies particularly on Fu Ling and Ze Xie. Their constant downward drainage guides the other herbs. Ignorant people remove them due to their draining nature and add more tonifying herbs. Long-term use leads to Qi accumulation with no outlet for drainage, inevitably causing upward surging. Thus, it is said: Fu Ling and Ze Xie in Liu Wei Di Huang Wan are like Sheng Ma and Chai Hu in Bu Zhong Yi Qi Tang, or the principle of "draining dampness towards dryness"; they follow different paths and are indispensable. Bu Zhong Yi Qi Tang promotes ascending; clear Yang ascends, so turbid Yin descends; hence, tonification via ascending is considered descending. Liu Wei Di Huang Wan promotes descending; ministerial Fire descends, so Kidney Water rises; hence, Liu Wei Di Huang Wan uses descending to achieve rising. How does Water rise? Because sufficient Kidney Water moistens the upper Jiao.)