雷公云∶凡使,勿用头粗浓并尾大者,为孔公石,不用。色黑及经大火惊过,并久在地
上收者,曾经药物制者,并不得用。须要鲜明、薄而有光润者,似鹅翎筒子为上,有长五、
六寸者。
凡修事法∶以五香水煮过一伏时,然后漉出;又别用甘草、紫背天葵汁渍,再煮一伏时
。凡八两钟乳,用沉香、零陵、藿香、甘松、白茅等各一两,以水先煮过一度了,第二度
方用甘草等二味各二两再煮;了,漉出,拭干,缓火焙之;然后入臼,杵如粉,筛过,却,
入钵中,令有力少壮者三、两人,不住研三日夜勿歇;然后用水飞,澄了,以绢笼之,于日
中晒令干;又入钵中研二万遍后,以瓷合子收贮用之。
雷公云∶凡使,须以瓷瓶盛,于火中 令内外通赤,用钳揭起盖,旋安石蜂窠于赤瓶子
中,烧蜂窠尽为度;将钳夹出,放冷,敲碎,入钵中研如粉后,于屋下掘一坑,可深五寸,
却,以纸裹,留坑中一宿,取出,再研。
每修事十两,用石蜂窠六两,尽为度。
又云∶凡使,要光明如水精,酸、咸、涩味全者,研如粉,于瓷瓶中盛。其瓶盛得三升
已来,以六一泥泥,于火畔炙之令干;置研了白矾于瓶内,用五方草、紫背天葵二味自然
汁各一镒,旋旋添白矾于中,下火逼令药汁干;用盖子并瓶口,更以泥泥上,下用火一百斤
;从巳至未,去火,取白矾瓶出,放冷,敲破,取白矾,捣细,研如轻粉,方用之。
若经大火一 ,色如银,自然伏火,铢累不失。
Lei Gong said: When using Congru (Stalactite), do not use those with thick, heavy heads or large tails, as these are Konggong Stone (a type of calcite) and should not be used. Do not use those that are black in color, have been subjected to intense heat (calcination), have been stored on the ground for a long time, or have been previously processed with medicinal substances. One must select those that are bright in color, thin, and lustrous; those resembling goose quill tubes are considered superior, preferably five to six cun in length.
The processing method is as follows: Boil in Five-Flavor Perfume Water (Wu Xiang Shui) for one fu shi (approx. 2 hours), then strain out. Separately, soak in the juice of Gancao (Licorice Root, Glycyrrhizae Radix et Rhizoma) and Zi Bei Tian Kui (Ottelia acuminata juice), and boil again for one fu shi. For eight liang of Congru, use Chenxiang (Agarwood, Aquilariae Lignum Resinatum), Lingling (Lingzhi Fragrant Herb, Polygala sibirica), Huoxiang (Patchouli, Pogostemonis Herba), Gansong (Sweet Sassafras, Nardostachyos Radix et Rhizoma), and Baimao (Imperata Rhizome, Imperatae Rhizoma), each one liang. Boil once with water first, then use Gancao and another unspecified herb (context implies the remaining ingredients from the previous step or specific additives mentioned earlier, here interpreted as the two main soaking agents or specific pairings) each two liang for a second boiling. After boiling, strain out, wipe dry, and bake over slow fire. Then, pound in a mortar until it becomes powder, sieve it, return it to a钵 (mortar/bowl), and have three or four strong young men grind it continuously for three days and nights without rest. Then, perform water levigation (Shui Fei): add water, stir, let settle, filter through silk gauze, and sun-dry. Grind in a mortar twenty thousand times more, then store in a porcelain jar for use.
Lei Gong said: When using Bai Fan (Alumen), place it in a porcelain bottle and heat it in fire until both inside and outside are red-hot. Use tongs to remove the lid, immediately insert Shi Feng Ke (Stone Beehive/Alum stone found in caves), and burn the beehive completely. Remove with tongs, allow to cool, crush, put into a mortar, grind into powder, then dig a pit under the eaves about five cun deep. Wrap the powder in paper, leave it in the pit overnight, take it out, and grind again.
For every ten liang of Bai Fan processed, use six liang of Shi Feng Ke as the standard limit.
He also said: When selecting Bai Fan, choose those that are bright like crystal and possess complete sour, salty, and astringent tastes. Grind into powder and store in a porcelain bottle. The bottle should hold about three sheng. Coat the bottle with Liu Yi Ni (Six-One Mud, a traditional sealing paste), and dry it by the fire. Place the ground Bai Fan into the bottle. Add one yi (ancient weight unit) of natural juice from Wu Fang Cao (Five-Direction Grass, likely referring to a composite herbal juice) and Zi Bei Tian Kui. Gradually add Bai Fan while heating below to evaporate the juice. Seal the lid and mouth with mud, and burn with one hundred jin of charcoal fuel. From Si hour to Wei hour (approx. 09:00–15:00), extinguish the fire, remove the Bai Fan bottle, let it cool, break the bottle, retrieve the Bai Fan, pound finely, and grind into a light powder before use.
If subjected to intense fire calcination, the color will become silver-like, naturally neutralizing its fiery nature (Fu Huo), and the weight will remain unchanged.