(凡一十则)
《脉诀》左寸下指法如六菽(大豆也)之重,(仍以其人之肥瘦为别)为心本位。(在指
顶为阴、为心,在指节为阳、为小肠。余皆仿此)。五菽以下,七菽以上,皆心与小肠络脉也
。关以十二菽为肝胆本位,尺以至骨为肾、膀胱本位;右寸三菽为肺、大肠本位,关以骨肉之
间为
并仿前例推之。
浮大而散,心之平。弦而长,肝之平。按至骨,举指来疾而实者,肾平也。肺平浮涩短
,脾胃平缓而满指。凡下指本位不平,便可寻详病情矣。
切脉至右尺部,必两手并诊消息之。取三焦应脉,浮为上焦,与心肺脉合;中为中焦,
与脾胃合;沉为下焦,与肝肾合。不合,则气必乱而脉不真,须再切也。盖此部命门之火,
系于心包,而三焦之位,实在五脏部位之中虚处,一气流行,绵绵不息,所谓呼吸之根,性
命之蒂也。男子喜满指沉实,似弱而无数滑,女人喜满指浮泛,似盛而不伏涩。故云女人反
此背看之,尺脉第三同断病。
高阳生,五代时入,着为《脉诀歌括》,托为王氏叔和。而今本杂以洁古“伤寒脉入式
歌”,又被熊宗立妄注,大为俗学之疑。叔和,晋人,自有《脉经》,犹复抵牾,大段古
书难尽信也。脉家书甚多,要不出七表、八里、九道之外,求脉之明,为脉之晦。独滑伯
仁《诊家枢要》,以浮、沉、迟、数、滑、涩六者为提纲。予补以有力、无力二者。丹溪以
血、气、痰、水为病之提纲,则脉滑在血分,而有余为痰,凡有形者从之;涩在气分,而有
余为火,凡无形者从之。浮在表,沉在里,(非三部九候之浮沉,此为脉势,彼为指法。)迟
为寒,数为热,有力为实,无力为虚。执此提纲,脉可得而明矣。
《入式歌括》是以伤寒脉为例而作,不然,阳弦头痛定无疑,凡弦脉皆头痛乎?
《脉经》谓∶性急人脉急,缓人脉缓。夫脉者,气血之营运于呼吸者也。血禀偏胜必多
缓,阴之静也;气禀偏胜必多急,阳之躁也。以此论其血分、气分孰为不足可也,岂情性之
谓哉?
重大之病,一日三脉多变,难治。沉 日日脉不移,难治。痼疾岁月不改,难治。
本脉皆平,络脉否者,宜攻击之。却未有本脉病而络脉独平者也。
伏经脉最难求,如积热之久,脉反沉细,而外证又寒,苟非兼施之法,何可得也?世俗
讳疾试医,医复讳情妄臆,而豪贵妇女往往不得望、闻,岂不大错?
初学切脉,覆药罗,画三部于绢上,教者衬以琴弦验弦,以小粟验滑,以括竹痕验涩,
以截葱管验芤,以败絮验濡。任意手法,令学人轻重按之,消息寻取,久之自真。《脉诀》
七表八里图形是也。
齐有《褚氏遗书》,谓女脉逆行,右尺为心,左为肺。盖以地道右转,女生于申,推论
其意尔!夫天地男女,气而已,气有动静,故有迟、速、顺、逆、左、右之别,其实非二也
。诸脉书皆无此说,夫有所授之耶?抑丹溪诸公未见其书耶?
(There are ten rules in total)
In the *Mai Jue* (Pulse Classic), the finger placement method for the left Cun position is like the weight of six beans (soybeans), (still distinguished by the patient's fatness or thinness), which represents the primary seat of the Heart. (At the tip of the finger is Yin, pertaining to the Heart; at the finger joint is Yang, pertaining to the Small Intestine. The rest follow this example). Below five beans and above seven beans in pressure are the collateral vessels of the Heart and Small Intestine. The Guan position uses twelve beans as the primary seat of the Liver and Gallbladder; the Chi position, pressing to the bone, is the primary seat of the Kidney and Bladder. On the right side, three beans at the Cun position is the primary seat of the Lung and Large Intestine; the Guan position, between flesh and bone, is the primary seat of the Spleen and Stomach; and one should deduce the rest according to the previous examples.
A pulse that is floating, large, and scattered indicates a normal Heart. A pulse that is wiry and long indicates a normal Liver. Pressing to the bone, with a rapid and solid rebound upon lifting the finger, indicates a normal Kidney. A normal Lung pulse is floating, choppy, and short; a normal Spleen/Stomach pulse is moderate and fills the fingers. Whenever the pulse feels uneven when pressing on its primary seat, one can then investigate the condition of the disease in detail.
When palpating the right Chi position, both hands must be examined simultaneously to deliberate carefully. Taking the pulse corresponding to the Sanjiao (Triple Burner), superficial pressure corresponds to the Upper Jiao, combining with the Heart and Lung pulses; middle pressure corresponds to the Middle Jiao, combining with the Spleen and Stomach pulses; deep pressure corresponds to the Lower Jiao, combining with the Liver and Kidney pulses. If they do not correspond, the Qi must be chaotic and the pulse untruthful, requiring re-examination. This region is where the Fire of the Gate of Vitality (Mingmen) resides, connected to the Pericardium, while the position of the Sanjiao actually exists in the hollow spaces among the five Zang organs. One Qi circulates continuously without ceasing, which is called the root of respiration and the foundation of life. Men prefer a pulse that is full, deep, and solid, appearing weak but lacking slippery waves; women prefer a pulse that is full, floating, and expansive, appearing vigorous but not submerged or choppy. Therefore, it is said that women's pulses are the reverse of this, viewed inversely; the third Chi pulse diagnosis applies similarly to diseases.
Gao Yangsheng, a figure from the Five Dynasties period, authored the *Mai Jue Ge Kuo* (Pulse Classic Rhymes), falsely attributing it to Wang Shuhe. The current version mixes in the "Shanghan Mai Ru Shi Ge" (Cold Damage Pulse Entry Style Song) by Jiegu, and has been wrongly annotated by Xiong Zongli, greatly confusing vulgar scholars. Shuhe was a Jin dynasty person who had his own *Mai Jing* (Pulse Classic), yet there are still contradictions; generally, ancient books cannot be fully trusted. There are many pulse books, all falling within the categories of Seven Superficial, Eight Interior, and Nine Deviant pulses, making the understanding of pulses obscure rather than clear. Only Hua Bolin's *Zhenjia Shuyao* (Essentials of Pulse Diagnosis) takes Floating, Deep, Slow, Rapid, Slippery, and Choppy as the outline. I supplemented it with Forceful and Feeble. Zhu Danxi took Blood, Qi, Phlegm, and Water as the outline of disease; thus, the Slippery pulse is in the Blood aspect, and excess indicates Phlegm, following whatever is tangible; the Choppy pulse is in the Qi aspect, and excess indicates Fire, following whatever is intangible. Floating is in the Exterior, Deep is in the Interior (this is not the Floating/Deep of the Three Regions and Nine Positions, but refers to pulse momentum, whereas that refers to finger technique). Slow indicates Cold, Rapid indicates Heat, Forceful indicates Excess, and Feeble indicates Deficiency. Holding to this outline, the pulse can be clarified.
The *Ru Shi Ge Kuo* was written taking Cold Damage pulses as an example; otherwise, if Yang-Wiry indicates headache without doubt, does every Wiry pulse indicate headache?
The *Mai Jing* states: People with impatient temperaments have urgent pulses; people with slow temperaments have relaxed pulses. The pulse is the operation of Qi and Blood during respiration. Blood, bearing excessive Yin, tends to be slow, which is the stillness of Yin; Qi, bearing excessive Yang, tends to be urgent, which is the restlessness of Yang. Using this theory to discuss which aspect, Blood or Qi, is deficient is acceptable, but it does not refer to temperament.
Major diseases with frequent pulse changes three times a day are difficult to treat. Diseases with a Deep pulse that remains unchanged daily are difficult to treat. Chronic diseases that do not change over years are difficult to treat.
If the main pulse is peaceful but the collateral pulse is abnormal, attack methods should be used. However, there is no case where the main pulse is diseased while the collateral pulse alone is peaceful.
The Hidden pulse is the hardest to locate. For example, after prolonged accumulation of Heat, the pulse may become deep and fine, while external symptoms appear Cold. Without combined therapeutic methods, how could this be resolved? Secular people hide their illness to test doctors, and doctors conceal facts and speculate wildly. Moreover, noblewomen often cannot undergo Inspection (Wang) and Listening/Smelling (Wen); is this not a great error?
For beginners learning pulse diagnosis, place medicinal herbs under a cloth, draw the three positions on silk, and have the teacher place a lute string underneath to verify the Wiry pulse, small millet seeds to verify the Slippery pulse, bamboo scraping marks to verify the Choppy pulse, cut scallion tubes to verify the Hollow pulse, and old cotton wadding to verify the Soft pulse. Allow any hand technique, letting the learner press lightly and heavily, deliberating and searching; with time, truth will naturally emerge. This is the principle behind the diagrams of Seven Superficial and Eight Interior in the *Mai Jue*.
Qi has the *Chu Shi Yi Shu*, which states that women's pulses move in reverse, with the right Chi belonging to the Heart and the left to the Lung. This is likely deduced from the idea that earthly paths turn right and women are born in the Shen month! Heaven and Earth, men and women, are merely Qi. Qi has movement and stillness, hence differences in Slowness, Speed, Forward, Reverse, Left, and Right, but essentially they are not two different things. No other pulse books contain this theory; was it passed down through transmission? Or did Zhu Danxi and others simply not see this book?