所谓易陈者。易言也。难入者。难着于人也。粗守形者。守刺法也。上守神者。守人之血气有
余不足。可补泻也。神客者。正邪共会也。神者。正气也。客者。邪气也。在门者。邪循正气之
所出入也。未睹其疾者。先知邪正何经之疾也。恶知其原者。先知何经之病所取之处也。刺之微
在数迟者。徐疾之意也。粗守关者。守四肢而不知血气正邪之往来也。上守机者。知守气也。机之
动不离其空中者。知气之虚实。用针之徐疾也。空中之机。清静以微者。针以得气。密意守气勿
失也。其来不可逢者。气盛不可补也。其往不可追者。气虚不可泻也。不可挂以发者。言气易失也。
扣之不发者。言不知补泻之意也。血气已尽而气不下也。知其往来者。知气之逆顺盛虚也。要与
之期者。知气之可取之时也。粗之暗者。冥冥不知气之微密也。妙哉工独有之者。尽知针意也。
往者为逆者。言气之虚而小。小者逆也。来者为顺者。言形气之平。平者顺也。明知逆顺。正行无
间者。言知所取之处也。迎而夺之者。泻也。追而济之者。补也。所谓虚则实之者。气口虚而当
补之也。满则泄之者。气口盛而当泻之也。宛陈则除之者。去血脉也。邪胜则虚之者。言诸经有
盛者。皆泻其邪也。徐而疾则实者。言徐内而疾出也。疾而徐则虚者。言疾内而徐出也。言实与虚。
若有若无者。言实者有气。虚者无气也。察后与先。若存若亡者。言气之虚实。补泻之先后也。
察其气之已下与常存也。为虚为实。若得若失者。言补者 然若有得也。泻则恍然若有失也。夫气
之在脉也。邪气在上者。言邪气之中人也高。故邪气在上也。浊气在中者。言水谷皆入于胃。其精
气上注于肺。浊溜于肠胃。言寒温不适。饮食不节。而病生于肠胃。故命曰浊气在中也。清气在下
者。言清湿地气之中人也。必从足始。故曰清气在下也。针陷脉则邪气出者。取之上。针中脉则
邪气出者。取之阳明合也。针太深则邪气反沉者。言浅浮之病。不欲深刺也。深则邪气从之入。
故曰反沉也。皮肉筋脉。各有所处者。言经络各有所主也。取五脉者死。言病在中气不足。但用
针尽大泻其诸阴之脉也。取三阳之脉者。唯言尽泻三阳之气。令病患 然不复也。夺阴者死。言
取尺之五里五往者也。夺阳者狂。正言也。睹其色。察其目。知其散复。一其形。听其动静
者。言上工知相五色于目。有知调尺寸小大缓急滑涩以言所病也。知其邪正者。知论虚邪与正邪
之风也。右主推之。左持而御之者。言持针而出入也。气出而去之者。言补泻气调而去之也。调
气在于终始一者。持心也。节之交三百六十五会者。络脉之渗灌诸节者也。所谓五脏之气。已绝于
内者。脉口气内绝不至。及取其外之病处。与阳经之合。有留针以致阳气。阳气至则内重竭。重
竭则死矣。其死也无气以动故静。所谓五脏之气。已绝于外者。脉口气外绝不至。反取其四末之
输。有留针以致其阴气。阴气至。则阳气反入。入则逆。逆则死矣。其死也。阴气有余故躁。所
以察其目者。五脏使五色循明。循明则声章。声章者。则言声与平生异也。( 音弼)
张开之曰。此解小针之义。而九针之论不与焉。 、满也。恍、惚也。所以察其目者。承上
文而言也。目色者。五脏之血色。声章者。五脏之气也。五色循明则声章者。血气之相应也。言声
与平生异者。散败之声也。盖言五脏之气已绝于内。不宜重取之阳。五脏之气已绝于外。不宜再
取之阴。阴阳外内相资。宜藏而不宜尽章着于外也。
The term "Yi Chen" (Easy to State) means that the principles are easy to articulate. The term "Nan Ru" (Difficult to Enter) means that they are difficult for ordinary people to comprehend.
A crude practitioner (Cù Gōng, a physician with inferior skills) only adheres to physical forms; this refers to their rigid adherence to needling techniques. An superior practitioner (Shàng Gōng, a highly skilled physician) observes Shen (Spirit/Mind); this refers to their attention to the excess or deficiency of Blood and Qi in the human body, thereby determining whether to apply tonification or sedation.
"Shen Ke" (Spirit Guest) refers to the convergence of Zheng Qi (Upright Qi/Healthy Energy) and Xie Qi (Evil Qi/Pathogenic Factor). "Shen" denotes Zheng Qi, while "Ke" denotes Xie Qi. "Zai Men" (At the Door) indicates that Xie Qi enters along the pathways where Zheng Qi exits and enters.
"Wei Du Qi Ji" (Not yet perceiving the disease) implies that before clearly identifying the pathology, one must first determine which meridians are affected by Zheng Qi and Xie Qi. "E Zhi Qi Yuan" (How to know its origin) implies that to understand the root of the disease, one must first identify which meridian is diseased and select the appropriate treatment points.
The subtlety of needling lies in the speed (Xu Chi), reflecting the intention of Xu (slow) and Ji (fast) manipulation for tonification and sedation.
Crude practitioners only guard the joints (Guan) of the limbs, unaware of the fluctuation of Zheng and Xie Qi within the blood vessels. Superior practitioners guard the Ji (Mechanism/Opportunity), understanding how to secure the Qi. The movement of the Ji does not depart from the Kong Zhong (Empty Space/Void within the tissue); this refers to knowing the emptiness or fullness of the Qi and applying slow or fast needle manipulation accordingly.
"The Ji in the Empty Space is clear, quiet, and subtle." This means that once De Qi (Arrival of Qi/Acquired Sensation) is achieved, the practitioner must maintain mental clarity and closely guard the Qi so as not to lose it.
"Its arrival cannot be met (with tonification)." This means when Qi is excessive, tonification should not be used. "Its departure cannot be pursued (with sedation)." This means when Qi is deficient, sedation should not be used.
"It cannot hang by a hair." This signifies that Qi is easily lost; even a slight error can lead to mistakes.
"Striking but not sounding." This means if one does not understand the intent of tonification and sedation, it is like striking an instrument without producing sound, failing to mobilize the Qi. At this point, Blood and Qi are exhausted, and Qi fails to descend.
"To know its coming and going" refers to understanding the direction (Ni/Shun) and strength (Sheng/Xu) of the Qi.
"To set a time with it" refers to knowing the opportune moment to treat based on the Qi's state.
Crude practitioners are obscure because they unknowingly fail to perceive the subtle and secret changes of Qi.
The skillful artisan possesses unique insight because they fully understand the art of needling.
"Wang Zhe Wei Ni" (Going away is Ni/Reverse) describes a state where Qi is deficient and weak; weakness constitutes a Reverse pattern. "Lai Zhe Wei Shun" (Coming is Shun/Smooth) describes a state where Form and Qi are balanced; balance constitutes a Smooth pattern.
"To clearly know Reverse and Smooth, and act correctly without interval" means knowing the correct points to select and executing them without error.
"Ying Er Duo Zhi" (Meeting and seizing) is Sedation (Xie Fa). "Zhui Er Ji Zhi" (Chasing and assisting) is Tonification (Bu Fa).
"As for 'Deficiency requires Repletion' (Xu Ze Shi Zhi)," it means when the Qi Kou (Pulse at the radial artery) is deficient, it should be tonified.
"As for 'Fullness requires Draining' (Man Ze Xie Zhi)," it means when the Qi Kou is excessive, it should be sedated.
"As for 'Removing Stasis and Oldness' (Wan Chen Ze Chu Zhi)," it refers to removing stagnant blood from the vessels.
"As for 'Excess Evil requires Emptiness' (Xie Sheng Ze Xu Zhi)," it means that if any meridian has excessive evil, one should sedate the evil.
"Slow insertion and fast withdrawal result in Repletion (Xu Er Ji Ze Shi)." This means slowly inserting the needle and quickly withdrawing it tonifies the Qi.
"Fast insertion and slow withdrawal result in Emptiness (Ji Er Xu Ze Xu)." This means quickly inserting the needle and slowly withdrawing it sedates the Qi.
Speaking of "Repletion" and "Emptiness," appearing as if present or absent: this means that in Repletion patterns, there is a sensation of Qi; in Emptiness patterns, there is no sensation of Qi.
"Observing sequence and priority, as if present or absent" refers to determining the order of tonification and sedation based on the emptiness or fullness of Qi, performing the manipulation with a subtle, almost imperceptible feel. One must also observe whether the Qi has descended or remains constant.
"Being empty or full, as if gained or lost": When tonifying, the patient feels as if they have gained something (comfort/fullness); when sedating, the patient feels as if they have lost something (relief/lightness).
Regarding Qi in the meridians: "Evil Qi affecting the Upper" means that pathogenic factors often attack the body from high points, hence the disease location is upper.
"Turbid Qi remaining in the Middle" means that food and drink enter the Stomach; their essence ascends to the Lung, while turbid residues remain in the intestines and stomach. If there is disharmony in cold/warmth or irregular diet, disease arises in the intestines and stomach, thus termed Turbid Qi in the Middle.
"Clear Qi stagnating in the Lower" means that cold and damp earthy pathogens attack the body, necessarily starting from the feet; thus, it is termed Clear Qi in the Lower.
Needling the Xian Mai (Sunken/Depressed Collaterals) to expel evil involves selecting points in the upper body. Needling the Zhong Mai (Middle/Deep Meridians) to expel evil involves selecting points on the Yangming He-Sea acupoints.
If deep needling causes the evil to sink further, it means that superficial floating diseases should not be treated with deep needling; deep needling allows the evil to follow the needle inward, hence termed "reverse sinking."
Skin, flesh, tendons, and vessels each have their specific locations, meaning that different meridians govern specific tissues.
Taking the Five Pulse groups (referring to the Yin meridians associated with the Five Zang organs) excessively leads to death. This occurs when internal Qi is insufficient, yet one uses strong sedation on all Yin meridians. Taking the Three Yang pulses excessively results only in draining all San Yang Qi, leaving the patient exhausted and listless.
Depriving the Yin leads to death; this refers to repeatedly taking Wu Li (ST36) near the Chi area. Depriving the Yang leads to mania; this is a definitive statement.
Observing the complexion and inspecting the eyes allows one to know the dispersion and recovery of Shen. Unifying observation of the form and listening to movements means that a superior doctor knows to correlate the five colors observed in the eyes with the pulse characteristics (size, speed, tension, smoothness) at Cun Kou to diagnose the disease. Knowing the nature of evil and upright qi means distinguishing between Xu Xie (Deficient Evil/External Pathogens) and Zheng Xie (Upright Evil/Internal Factors).
Pushing the needle forward with the right hand while holding and controlling with the left hand refers to the manipulation of needle insertion and withdrawal. Expelling the Qi after it has moved refers to stopping the operation once the Qi is regulated through tonification or sedation. Regulating Qi depends on maintaining a consistent mindset (Zhong Shi Yi Zhe, Chi Xin Ye).
The 365 junctions of the body are the sites where collaterals seep and irrigate Qi.
As for "The Qi of the Five Zang is already exhausted internally," this refers to the inner pulse at Qi Kou being faint or absent. If one then treats external symptoms or selects He-Sea points of Yang meridians and retains the needle to attract Yang Qi, the arrival of Yang Qi will cause further depletion of internal Yin, leading to double depletion and death. Such death is characterized by stillness due to the lack of Qi movement.
As for "The Qi of the Five Zang is already exhausted externally," this refers to the outer pulse at Qi Kou being faint or absent. If one mistakenly treats the extremities (Si Mo) and retains the needle to attract Yin Qi, the arrival of Yin Qi will cause Yang Qi to retreat and reverse, leading to reversal and death. Such death is characterized by restlessness due to excess Yin Qi.
Therefore, observing the eyes is crucial because the Five Zang make the five colors bright and clear; clarity leads to distinct voice. A distinct voice indicates that the speech differs from the person's normal state. (Zhang, "Zhang", sounds like "Bi", meaning manifest/clear).
Zhang Kaizhi explains: This passage interprets the meaning of "Small Needle" but does not involve the theory of the Nine Needles. "Hun" means confused/dark; "Huang" means vague/uncertain. The reason for observing the eyes follows the previous text. Eye color reflects the blood aspect of the Five Zang, while vocal clarity reflects the Qi aspect of the Five Zang. The correspondence of clear colors and clear voice demonstrates the interaction of Blood and Qi. Speaking of "voice differing from normal" refers to the voice of scattered and ruined Qi. In summary, when the Qi of the Five Zang is exhausted internally, one should not over-tonify Yang; when exhausted externally, one should not over-tonify Yin. Yin and Yang, internal and external, support each other and should be stored rather than fully exposed externally.