(是解从姚于九本抄附。第不知解自何人。今特低一字以别之。)
五行有相生相克。相生者。谓金生水。水生木。木生火。火生土。土生金是也。相克者。谓
金克木。木克土。土克水。水克火。火克金是也。凡脉遇相生者吉。相克者凶。如心见沉细。肝
见短涩。肾见迟缓。肺见洪大。脾见弦长。皆遇克也。为鬼贼相侵。危症也。又如心见缓。肝见
洪。肺见沉。脾见涩。肾见弦。是子来扶母。遇我之所生也。虽病易瘥。至如肾病传肝。肝病传
心之类。此母来抑子。病虽不死。亦绵延日久矣。又我克者为妻。假如春木脉见脾土。是夫得妻
脉也。妻来乘夫。虽非正克。然春中独见脾脉。土乘木衰。土乘之则生金来克木耳。若脉见弦缓
。则本体尚存。土虽乘之。不足虑也。如本脉全无而独见脾缓之脉。为害必矣。脉赋云。春得脾
而莫疗。冬见心而莫治。夏得肺而难瘥。秋得肝亦何疑。此即四时休旺。以例生克之义也。然人
脉之息数。出气为呼。入气为吸。一呼一吸。谓之一息。息间脉来四至或五至为平和。不大不小
。和缓舒畅。此无病之脉也。至于三迟二败。冷而危也。六数七极。热甚也。八脱九死。极于十一
二至。与夫奄奄两息一至。则又散而为变也。六数七极。热也。脉中有力。为有神也。当泄其热
。三迟二败。寒也。脉中有力。为有神也。当去其寒。若数极迟败中不复有力。为无神也。将何
所恃耶。可与之决死期矣。(说本东垣。)
然脉尽有有力而无神者。亦有无力而有神者。盖有神无神。非即以有力无力论也。如以有力即为有
神。无力即为无神。则凡脉之弦劲而勒指者。可为有神而许以生乎。脉之和缓而软弱者。可为无
神而断以死乎。恐未必应其口也。则何如有余之症。脉须有力。而有力之中。又贵有神。不足之症。
脉宜无力。而无力之中。全在有神数语。为扼诊家之要也哉。
按五图合为一图。则五图一五行也。所谓合之则一五行也。一图分作五图。则五图各具一五
行也。所谓分之则五行各有五。五五二十五也。谓之主病者。乃各脏腑所主之病。如诸风眩掉。
悉属于木。诸逆冲上。悉属于火之类是也。变见五症者。乃各脏腑自具之五邪。如木之火病。则
为木中无火。木之水病。则为木中无水之类是也。自病自字。与主病主字不同。主病是统正实微
贼虚五邪而言。自病则单是正邪。与实微贼虚四邪。平列为五。而统于主病之中者也。之心病之
脾病等之字。非由此及彼之谓。盖曰木中的火病。木中的土病也。上之字与下木中之木等之字。
同作的字解。不作往字解。若错解之字。则都无理会。一齐差却矣。试于上边之字上加肝胆中心
小肠等三字。下边木火土金水等五字。换作正邪实邪等十字读之。云肝胆中之心病为实邪。用七
味饮泻木中之实邪。心小肠之脾病为实邪。用远志饮子泻火中之实邪。则图中之义自明。原解于
四明二十五方图中,五症变见之义未谛。岂因误解上下两之字。抹却中间一中字耶。理则无二。
言讵一端。按图索解。必求其当。用随所见。附解于兹。无而先克循环。同原太极。则合五图为
一图可也。即分一图为五图可也。阖得拢亦未始分不开。分得开又未始阖不拢也。而开阖从方便
者谁乎。其惟会太极动静之理于一原者乎。
(This commentary is copied from Yao Yujiu's version. It is unknown who wrote the explanation. It is now indented by one character to distinguish it.)
The Five Elements (Wuxing) have relationships of mutual generation (Xiangsheng) and mutual restriction (Xiangke). Mutual generation refers to Metal generating Water, Water generating Wood, Wood generating Fire, Fire generating Earth, and Earth generating Metal. Mutual restriction refers to Metal restricting Wood, Wood restricting Earth, Earth restricting Water, Water restricting Fire, and Fire restricting Metal. Generally, a pulse encountering a generative relationship is auspicious, while one encountering a restrictive relationship is inauspicious. For example: if the Heart presents with a deep and fine pulse (Chenxi Mai), the Liver with a short and choppy pulse (Duase Mai), the Kidney with a slow and relaxed pulse (Chihuan Mai), the Lung with a flooding and large pulse (Hongda Mai), and the Spleen with a string-taut and long pulse (Xianchang Mai), these all indicate encountering restriction (referred to as "Ghost and Thief invasion"), which constitutes a critical condition. Conversely, if the Heart presents with a moderate pulse (Huan Mai), the Liver with a flooding pulse (Hong Mai), the Lung with a deep pulse (Chen Mai), the Spleen with a choppy pulse (Se Mai), and the Kidney with a string-taut pulse (Xian Mai), this indicates the Child organ supporting the Mother organ, representing the element I generate. Although illness is present, recovery will be easy. As for cases such as Kidney disease transmitting to the Liver, or Liver disease transmitting to the Heart, this represents the Mother organ suppressing the Child organ. The illness may not be fatal, but it will likely persist for a long time. Furthermore, what I restrict is considered the "Wife." For instance, in Spring when Wood is prosperous, if the pulse reveals the Spleen-Earth pulse, this is the Husband obtaining the Wife's pulse (Wife overcoming Husband). Although this is not a standard restriction, if the Spleen pulse appears exclusively in Spring, it implies that Earth overcomes Wood due to Wood's weakness. If Earth overcomes, Metal will come to restrict Wood. However, if the pulse shows string-tautness with moderation (Xian Huan), the original constitution remains intact; although Earth overcomes, there is little cause for concern. If the original pulse completely disappears and only the Spleen-moderate pulse is seen alone, harm is inevitable. The *Mai Fu* states: "Spring obtains Spleen and cannot be treated; Winter sees Heart and cannot be cured; Summer obtains Lung and is hard to heal; Autumn obtains Liver, why doubt?" This illustrates the meaning of generation and restriction based on the waning and waxing of pulses across the four seasons.
However, human pulse rates are counted by breaths. Exhalation is Hu, inhalation is Xi. One exhalation and one inhalation constitute one breath (Xi). Between breaths, if the pulse beats four or five times, it is a balanced pulse—neither too large nor too small, gentle and smooth—which indicates no disease. Three beats per breath or two failures indicate coldness and danger. Six beats or seven extremes indicate severe heat. Eight indicates depletion, nine indicates death. Reaching eleven or twelve beats, or being so weak that one beat occurs every two breaths, represents scattering and transformation. Six beats and seven extremes indicate Heat. Strength within the pulse indicates Shen (Spirit/Vitality); one should drain the Heat. Three slowness and two failures indicate Cold. Strength within the pulse indicates Shen; one should dispel the Cold. If, amidst rapid/extreme/slow/failing pulses, there is no longer strength, it indicates absence of Shen. What can be relied upon then? One can determine the time of death. (This theory originates from Li Dongyuan.)
Nevertheless, there are pulses that are strong but lack Shen, and pulses that are weak but possess Shen. The presence or absence of Shen is not determined solely by strength or weakness. If strength equaled Shen and weakness equaled absence of Shen, then any string-taut and finger-restricting pulse could be said to have Shen and thus predict survival? And any gentle and soft pulse could be said to lack Shen and thus predict death? This is unlikely to correspond to reality. Therefore, it is better to say: for excess syndromes, the pulse must be strong, yet within strength, Shen is precious; for deficiency syndromes, the pulse should be weak, yet within weakness, Shen is entirely crucial. These few words capture the essence of pulse diagnosis.
Combining the five diagrams into one diagram means the five diagrams form a single Five Elements system. Combining them results in one Five Elements. Dividing one diagram into five diagrams means each of the five diagrams possesses its own complete Five Elements system. Thus, dividing yields five sets of five, totaling twenty-five. "Master Disease" (Zhu Bing) refers to diseases governed by each Zang-Fu organ, such as various wind-induced dizziness and tremors belonging to Wood, and various rebellious upward rushing belonging to Fire. "Variable Manifestations of Five Symptoms" (Bian Jian Wu Zheng) refer to the five pathogenic factors inherent to each Zang-Fu organ. For example, Wood's Fire disease implies Wood lacks Fire; Wood's Water disease implies Wood lacks Water. "Self-disease" (Zi Bing) and the character "Zi" differ from "Master Disease" (Zhu Bing) and "Zhu." "Master Disease" encompasses the five pathogens: Correct, Excess, Minor, Thief, and Deficient. "Self-disease" refers only to the Correct Pathogen, listed equally with Excess, Minor, Thief, and Deficient pathogens, and subsumed under Master Disease. The character "Zhi" in phrases like "Zhi Xin Bing" (Disease of the Heart) does not mean movement from one to another. It means "Wood's internal Fire disease," "Wood's internal Earth disease." The "Zhi" above is interpreted similarly to the "Zhi" in "Mu Zhong Zhi Mu" (Wood within Wood), functioning as a structural particle ("of"), not as a verb ("to go"). Misinterpreting "Zhi" leads to total confusion. Try inserting "Liver-Gallbladder, Heart, Small Intestine" before the upper "Zhi," and replace "Wood, Fire, Earth, Metal, Water" below with "Correct Pathogen, Excess Pathogen" etc., reading ten characters. For example: "Heart disease within Liver-Gallbladder is an Excess Pathogen"; use Seven-Ingredient Decoction to drain the Excess Pathogen within Wood. "Spleen disease within Heart-Small Intestine is an Excess Pathogen"; use Yuanzhi Yinzi to drain the Excess Pathogen within Fire. The meaning of the diagram becomes clear. The original commentary failed to grasp the meaning of "variable manifestations of five symptoms" in the Siming Twenty-Five Formulas Diagram, perhaps due to misinterpreting the two "Zhi"s and erasing the middle "Zhong" (within). The principle is singular, though expressions vary. Consulting the diagram for explanation requires seeking appropriateness. Based on my understanding, I attach this explanation here. Non-existence precedes restriction in a cycle, originating from Taiji. Thus, combining five diagrams into one is valid, and dividing one diagram into five is also valid. Closing together does not preclude opening apart; opening apart does not preclude closing together. Who manages opening and closing according to convenience? Only those who integrate the principles of Taiji's movement and stillness into a single source.