《史记》(五百)扁鹊传载扁鹊饮长桑君药,三十日见垣一方人,由是诊病洞见五脏症结
,特
以诊脉为名。注∶方,边也。言见墙垣彼边之人也。案如注说,是谓能隔墙见人矣。长桑何
药,而乃变易形质若此耶?窃谓此当与纪昌贯虱同义。大抵久竭目力,则所见必异。虱大如
轮,以径言也;垣一方人,以深言也。迹虽不同,理则一致。想扁鹊学望诊时,必日视其垣
以炼目力,而以意合之人面,久之则垣中浅者深者,一一分明,便似其中有人在。云一方者
,正就其日所注视者言,非彼边之谓。且“彼”字尤属添释,《史》文无此义也。余尝师其
意而为之,虽未能见人,亦似有眉目可别,虽未能洞见脏结,临症时看人面及舌色浮沉、大
、小、浓淡,一目了然,不待多时而细察。故谬揣史迁此言,系形容之词,非果隔墙见人。
且扁鹊脉法,具载《脉经》,果以诊脉为名,岂其言皆虚饰耶?史迁于此及仓公两传,皆未
能实疏所以,但据人间形容之词,不复顾其过当,良由其于医事未能了了耳!班书不录,岂
无故欤?范书不为仲景作传,亦当以其妙难言喻,恐转滋人惑也。陈志华佗传,多据实质言
之。
古有五劳、七伤、六极之目,皆言虚也,核之则劳、极二端而已。劳是过用其气,极则
几于
无气,其浅深不同。以《病源》所记言之,五劳中之志劳、心劳、忧劳,是过用其神;其疲
劳,是过用其形。七伤则房劳之病,亦劳属也,以其病多,故别出之。然精为七神之一,是
亦过用其神也。约之,特形、神二者尽之矣。若风寒暑湿及一切病之久而不去,甚虚其气者
,皆极也。极有气、血、筋、骨、肌、精六症者,谓病于气,其极也不欲言;病于血,其极
也无颜色,眉发堕落,喜忘。余极仿此。然约之亦不外形、神也。大抵劳言其始,极言其终
,分别截然。近世不知有极,概目为劳,则将以治极者治劳,而劳永无愈期矣。嘻!
The Biography of Bian Que in the *Records of the Grand Historian* (Shiji, Vol. 130) records that after taking medicine given by Changsang Jun, Bian Que was able to see people on the other side of a wall after thirty days. From then on, when diagnosing diseases, he could perceive the pathological accumulations within the five Zang organs, primarily under the guise of pulse diagnosis. The annotation states: "Fang" means edge or side. It refers to seeing people on the far side of the wall. According to this annotation, it implies the ability to see through walls. What medicine did Changsang Jun give that could alter one's physical constitution to such an extent? I privately believe this should be interpreted similarly to the story of Ji Chang practicing archery through a fly. Generally speaking, when visual effort is exhausted over a long period, what one sees will inevitably differ. Describing a fly as large as a wheel refers to its diameter; describing a person on the other side of a wall refers to depth. Although the phenomena differ, the underlying principle is consistent. It is likely that when Bian Que learned observation diagnosis (Wang Zhen), he must have stared at walls daily to train his visual acuity and mentally superimposed human facial features upon them. Over time, both superficial and deep aspects within the field of vision became distinct, creating the illusion that there were people inside. The phrase "one side" refers precisely to the object of his daily gaze, not the "other side." Moreover, the character "bi" (that/other side) is likely an extraneous addition, as the original text of the *Shiji* does not carry this meaning. I once attempted to emulate his method. Although I could not see people, I seemed able to distinguish certain features. While I could not perceive internal organ accumulations, when examining patients clinically, I could clearly observe the complexion and the floating/sinking, large/small, and thick/thin qualities of the tongue coating at a glance, without needing much time for detailed inspection. Therefore, I speculate that Sima Qian's statement is rhetorical description, not a literal claim of seeing through walls. Furthermore, Bian Que’s pulse methods are fully recorded in the *Mai Jing* (Pulse Classic). If he truly relied solely on pulse diagnosis, would his words all be mere embellishments? In these biographies and that of Cang Gong, Sima Qian fails to substantiate the reasons, relying instead on folk descriptions without regard for exaggeration, likely because he himself did not thoroughly understand medical affairs. Is it without reason that Ban Gu omitted this in the *Book of Han*? Fan Ye did not write a biography for Zhang Zhongjing, perhaps because his medical skills were too profound to be easily described, fearing it might only cause further confusion. Chen Shou’s biography of Hua Tuo relies mostly on substantial facts.
In ancient times, there were categories of Five Exhaustions (Wu Lao), Seven Injuries (Qi Shang), and Six Extremes (Liu Ji), all referring to deficiency. Upon examination, these reduce to two categories: "Lao" (Exhaustion) and "Ji" (Extreme Deficiency). "Lao" refers to the excessive use of Qi, while "Ji" approaches a state of having no Qi; their depths differ. According to the *Zhu Bing Yuan Hou Lun* (Treatise on the Pathogenesis and Symptoms of All Diseases), among the Five Exhaustions, Zhi Lao (Mental Exhaustion), Xin Lao (Heart/Mind Exhaustion), and You Lao (Worry/Sorrow Exhaustion) involve the excessive use of Shen (Spirit/Mind); fatigue involves the excessive use of the Xing (Form/Body). Among the Seven Injuries, Fang Lao (Sexual Exhaustion) also belongs to Lao; because there are many such conditions, they are listed separately. However, Jing (Essence) is one of the Seven Spirits, so this too involves the excessive use of Shen. Summarizing, it encompasses only Form and Spirit. As for Wind, Cold, Summer-heat, Dampness, and all chronic diseases that fail to resolve and severely deplete Qi, these belong to Ji. There are six manifestations of Ji concerning Qi, Blood, Tendons, Bones, Flesh, and Essence. When Ji affects Qi, the extreme state is unwillingness to speak; when Ji affects Blood, the extreme state is lack of luster, falling eyebrows and hair, and forgetfulness. Other types follow this pattern. Summarizing again, they do not exceed Form and Spirit. Generally, "Lao" refers to the initial stage, while "Ji" refers to the terminal stage, with clear distinctions. Modern practitioners, unaware of "Ji," categorize everything as "Lao." Consequently, treating "Ji" with methods for "Lao" ensures that "Lao" never reaches a point of recovery. Alas!