奇病论云。瘅。谓热也。此章冠湿字。非是。汉书严助传。南方暑湿。近夏瘅热。(师古注。瘅。黄病也。误。)
王充论衡云。人形长七尺。形中有五常。有瘅热之病。深自克责。犹不能愈。又云。天地之有湛也。何以知不
如人之有水病也。其有旱也。何以知不如有瘅疾也。左传。荀偃瘅疽。(哀三年)史记。风瘅。肺消瘅。及本
经消瘅。瘅疟之类。皆单为热之义。熊音。瘅。多满反。俗作疸。病黄也。尤误。
厥成为巅疾 吴云。巅。癫同。古通用。气逆上而不已。则上实而下虚。故令忽然癫仆。今世所谓
五痫也。张云。或为疼痛。或为眩仆。而成顶巅之疾也。一曰。气逆则神乱。而病癫狂者。亦通。简按杨玄操
注难经云。癫。颠也。发即僵仆倒地。故有癫蹶之言。楼氏纲目云。以其病在头巅。故曰癫疾。是知癫痫之癫。
厥成癫疾。眩冒癫疾之巅。一疾也。王太仆误分癫为二疾。独孙真人始能一之。楼以癫巅为一疾。固是。以巅
为头巅之义。不可从。五脏生成篇。头痛巅疾。下虚上实。奇病论云。人生而有病巅疾者。方盛衰论。气上
不下。头痛巅疾。并是癫疾。当从吴注。
久风为飧泄 志云。风乃木邪。久则内干脾土。而成飧泄矣。故曰。春伤于风。邪气留连。乃为洞泄。
筋变骨痛 变。诸本作挛。当改。张云。此言诸病痈肿。而有兼筋挛骨痛者也。诸家以痈肿筋挛骨
痛。释为三证。殊失经意。观下文曰。此寒气之肿。则其所问在肿。义可知矣。
寒气之肿八风之变也 张云。惟风寒之变在经。所以兼筋骨之痛。今有大项风蛤蟆瘟之属。或为头
项咽喉之痈。或为肌肉之肿。正此类也。高云。此寒气之肿。言痈肿之生于寒也。八风之变。言筋挛骨痛之生
于风也。以明病之所生。即病之所变也。
以其胜治之愈也 志云。以五行气味之胜治之而愈也。如寒淫于内。治以甘热。如东方生风。风生
木。木生酸。辛胜酸之类。
征其脉 吴云。征。验也。
其色苍赤 张云。苍者。肝肾之色。青而黑也。赤者。心火之色。心主血也。脉见弦沉。而色苍赤
者。筋骨血脉俱病。故必当为毁伤也。简按苍。说文。草色也。青而黑。未知何据。
湿若中水也 张云。凡毁伤筋骨者。无论不见血已见血。其血必凝。其经必滞。气血凝滞。形必肿
满。或如湿气在经。而同于中水之状也。高云。毁伤筋骨。应不见血。若已见血。则心气并伤。如汗出身湿。
若中于水。水从汗孔。而伤其心气也。吴本。肝与肾以下二十五字。移于肾脉搏坚而长云云。至令不复也下。
注云。肝与肾脉并至。谓搏坚而长。又沉石也。其色当苍黑。今见色苍赤。则非肝肾病。当病毁伤不见血。盖
筋伤则色苍。脉伤则色赤。若已见血。则其搏坚而长。
或为湿饮。其脉沉下。或为水也。简按此一节。与上下文。不相顺承。疑有脱误。
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尺内两旁则季胁也 简按王注。尺内。谓尺泽之内也。此即诊尺肤之部位。平人气象论云。尺涩脉滑。
尺寒脉细。王注亦云。谓尺肤也。邪气脏腑病形篇云。善调尺者。不待
于寸。又云。夫色脉与尺之相应。如桴鼓影响之相应也。论疾诊尺篇云。尺肤泽。又云。尺肉弱。十三难云。
脉数尺之皮肤亦数。脉急尺之皮肤亦急。史记仓公传亦云。切其脉。循其尺。仲景云。按寸不及尺。皆其义也。
而其所以谓之尺者。说文。尺。十寸也。人手却十分动脉为寸口。十寸为尺。尺所以指。尺。规矩事也。从尸
从乙。乙。所识也。周制。寸尺咫寻常仞诸度量。皆以人之体为法。徐锴曰。家语曰。布指知尺。舒肱知寻。
(大戴礼云。布指知寸。布手知尺。舒肱知寻。)明是尺即谓臂内一尺之部分。而决非寸关尺之尺也。寸口分
寸关尺三部。 于难经。马张诸家。以寸关尺之尺释之。与经旨差矣。今据王义考经文。图左方。
以候腹中 张志高并以中字属下句。为中附上。是也。
左外以候肝内以候膈 何梦瑶医碥云。按心肺肝肾。脏也。反候于外。胸中膈膜。包裹此脏者也。反
候于内。恐传写之误。当以胃外脾内例之。易其位为是。简按此说有理。然旧经文果如此否。亦难必矣。
前以候前后以候后 简按前者。臂内阴经之分也。后者。臂外阳经之分也。论疾诊尺篇云。肘前独热
者。膺前热。肘后独热者。肩背热。即其义也。王以左为前。以右为后。诸家并从其说。非也。
上附上右外以候胃 宋本。胃。作肺。诸本同。当改。
膝胫足中事也 甲乙。无足字。
粗大者 简按此下。以脉象而候阴阳邪正之盛虚。与尺肤之义自别。
来疾去徐 滑氏诊家枢要云。来者。自骨肉之分。而出于皮肤之际。气之升也。去者。自皮肤之际。
而还于骨肉之分。气之降也。简按吴张仍滑氏。
上实下虚 吴云。脉自尺部。上于寸口。为上。自寸口下于尺部。为下。简按寸尺亦难经以后之见。
不可从。
厥巅疾 马云。其病当为厥疾。及巅疾焉。吴云。为厥逆癫仆之疾。高云。气惟上逆。上而不下。故
为巅疾。犹言厥成为巅疾也。
为恶风也故中恶风者 吴云。阴实阳虚。不任风寒。故令恶也。张云。恶。上去声。下入声。志云。
风为阳邪。伤人阳气。在于皮肤之间。风之恶厉者。从阳而直入于里阴。是以去疾下实。阳虚阴盛。为恶风也。
高云。恶风。疠风也。简按二恶字入声。志注是。
少阴厥也 张云。沉细者。肾之脉体也。兼数则热。阴中有火也。故为少阴之阳厥。
寒热也 高云。热有阴阳。申明有脉沉细。而数散者。非粗大有余之阳热。为阴盛阳虚之寒热也。简
按此亦虚劳寒热也。高注为是。而又有阴虚火动。其脉沉细数散者。必不可执一矣。
诸浮不躁者 张云。脉浮为阳。而躁则阳中之阳。故但浮不躁者。皆属阳脉。未免为热。若浮而兼躁。
乃为阳极。故当在手。在手者。阳中之阳。谓手三阳经也。此与终始篇。人迎一盛。病在足少阳。一盛而躁。
病在手少阳。义同。
诸细而沉者 张云。沉细为阴。而静则阴中之阴。故脉但沉细者。病在阴分。当为骨痛。若沉细而
静。乃为阴极。故当在足。在足者。阴中之阴。谓足三阴经也。
数动一代 吴云。数。阳脉也。阴固于外。阳战于内。则脉厥厥动摇。名曰动。脉五来一止。七来
一止。不复增减。名曰代。是为阳结。故病为滑泄下利。又为便脓血也。汪昂。数。读为去声。注云。马注。
数字。读作入声。数为热。故
便血。非。志云。阳热在经。故脉数动。热伤血分。故便脓血。经血下泄。故一代也。
诸过者 吴云。过。脉失其常也。
阴阳有余 马云。若滑涩兼见。而阴阳俱有余。则阳有余为无汗。阴有余为身冷。宜二证皆见也。
简按滑涩相反。岂有二脉俱见之理乎。
推而外之内而不外 张云。此下言察病之法。当推求于脉。以决其疑似也。凡病若在表。而欲求之
于外矣。然脉则沉迟不浮。是在内而非外。故知其心腹之有积也。推。音吹。诸释作推展之推者。非。简按吴
马诸家。仍王注。以推为推展之义。汪机遂以推为诊脉之一法。(见于脉诀刊误。附录。)并不可从。
推而内之外而不内 张云。凡病若在里。而欲推求于内矣。然脉则浮数不沉。是在外而非内。故知其
身之有热也。
推而上之上而不下 张云。凡推求于上部。然脉止见于上。而下部则弱。此以有升无降。上实下虚。
故腰足为之清冷也。
推而下之下而不上 张云。凡推求于下部。然脉止见于下。而上部则亏。此以有降无升。清阳不能上
达。故为头项痛也。按此二节。甲乙经。以上而不下。作下而不上。下而不上。作上而不下。似与上文相类而
顺。但既曰下而不上。则气脉在下。何以腰足反清。且本经前二节反言之。后二节顺言之也。一反一顺。两得
其义。仍当以本经为正。简按以上四节。张注明备。今从之。志云。推。详也。推详其脉气之偏于外内上下也。
是亦本于张义耳。
按之至骨脉气少者 高云。若按之至骨。不应于指。脉气少者。此阴盛阳虚。生阳之气。不能上行。
当腰脊痛。而
身有痹病也。承上文上下外内之病。而言诊脉亦有外内上下之法也。以上答帝知病乍在内乍在外之问者。如此。
The *Qibing Lun* (Treatise on Rare Diseases) states: "Dan" refers to heat. The use of the character "Shi" (Dampness) at the beginning of this chapter is incorrect. The *Han Shu* (Book of Han), in the biography of Yan Zhu, records: "In the south, there is summer dampness and near summer 'dan' heat." (Yan Shigu's commentary states: "'Dan' is jaundice. This is an error.)
Wang Chong in *Lunheng* (Discourses Weighed in the Balance) states: "A human body is seven chi long, containing the Five Constants (referring to normal physiological structures). If one suffers from 'dan' heat disease, even if one deeply blames oneself, it still cannot be cured." He further states: "Just as heaven and earth have moisture ('Zhan'), how do we know it is not like humans having water disease? Just as there is drought, how do we know it is not like humans having 'dan' disease?" The *Zuo Zhuan* (Commentary of Zuo) records: "Xun Yan suffered from 'dan' carbuncle." (3rd year of Duke Ai). The *Shiji* (Records of the Grand Historian) records: "Wind 'dan', lung 'xiaodian' (wasting-thirst due to heat), as well as 'xiaodian' and 'dan nue' (malaria with high fever) mentioned in the *Neijing*, all singly denote the meaning of heat. Xiong's phonetic annotation: 'Dan' is pronounced 'duoman fan'. It is colloquially written as 'Dan' (Jaundice), referring to yellow disease. This is also an error.
Jue Qi (Rebellious Qi) ascending becomes a disease of the vertex. Wu Kun states: "'Dian' (Vertex) is identical to 'Dian' (Epilepsy/Insanity), used interchangeably in ancient times. When Qi rebels upward and does not cease, the upper becomes excess and the lower becomes deficient, causing sudden collapse and falling. This is what is now called the five types of epilepsy (Wuxian). Zhang Jingyue states: "It may manifest as pain, or as dizziness and collapse, thereby forming a disease of the vertex." Another view holds: "Qi rebellion causes mental confusion, leading to mania and epilepsy; this interpretation is also valid." Commentary notes: Yang Xuancao, annotating the *Nanjing* (Classic of Difficult Issues), states: "'Dian' means vertex. Upon onset, the patient stiffens and falls to the ground, hence the term 'Dianjue' (Epileptic fall). Lou Shi's *Gangmu* states: "Because the disease is located at the head vertex, it is called 'Dianji' (Disease of the Vertex)." From this, we know that the 'Dian' in 'Dianxian' (Epilepsy) and the 'Dian' in "Jue Cheng Dianji" (Jue Qi becoming vertex disease) and "Xuanmao Dianji" (Vertigo and vertex disease) refer to the same disease. Wang Bing erroneously divided 'Dian' into two diseases; only Sun Simiao began to unify them. Although Lou Shi was correct in equating 'Dian' and 'Dian' as one disease, his interpretation that 'Dian' solely refers to the anatomical vertex is unacceptable. The *Wuzang Shengcheng Pian* (Chapter on the Generation of the Five Viscera) states: "Headache and vertex disease, lower deficiency and upper excess." The *Qibing Lun* states: "Those born with vertex disease." The *Fang Sheng Shuai Lun* states: "Qi rises but does not descend, causing headache and vertex disease." These all refer to epilepsy/manic disorders, and Wu Kun's annotation should be followed.
Prolonged wind leads to undigested food diarrhea (Sungxie). Zhang Zhicong states: "Wind belongs to Wood pathogen. Over time, it internally damages Spleen Earth, resulting in Sungxie." Thus it is said: "If injured by wind in spring, the pathogen lingers, eventually becoming Dongxie (profuse watery diarrhea)."
Sinew changes and bone pain. The character "Bian" (Change) is written as "Luan" (Spasm/Cramp) in most editions and should be corrected. Zhang Jingyue states: "This refers to various abscesses and swellings accompanied by sinew spasms and bone pain. Previous commentators interpreted abscesses, sinew spasms, and bone pain as three separate syndromes, which greatly misses the intent of the classic. Looking at the following text: 'This is swelling caused by cold pathogen,' it is clear that the inquiry focuses on 'swelling,' revealing the meaning."
Swelling caused by cold pathogen and changes from the Eight Winds. Zhang Jingyue states: "Only changes from wind and cold affect the meridians, thus accompanying bone and sinew pain. Currently, diseases such as Big Head Plague and Mumps involve either abscesses of the head, neck, and throat, or swelling of the muscles; these are precisely of this category." Gao Shishi states: "'Swelling of cold pathogen' means abscesses arising from cold. 'Changes of the Eight Winds' means sinew spasms and bone pain arising from wind." This clarifies that the origin of the disease is its manifestation.
Cure it by treating with the overcoming element. Zhang Zhicong states: "Cure it by using the overcoming properties of the Five Elements and their flavors. For example, if cold invades internally, treat with sweet and hot substances. For instance, the East generates Wind; Wind generates Wood; Wood generates Sour flavor; Pungent flavor overcomes Sour flavor, and so on."
Verify the pulse. Wu Kun states: "'Zheng' means to verify or test."
Complexion is cyan-red. Zhang Jingyue states: "Cyan color is the color of Liver and Kidney, blackish-green. Red color is the color of Heart Fire; the Heart governs Blood. If the pulse is wiry and deep, and the complexion is cyan-red, it indicates pathology in sinews, bones, blood, and vessels; thus, there must be trauma/injury." Commentary notes: In *Shuowen Jiezi*, "Cang" refers to grass color, blackish-green. The basis for this is unclear.
Dampness resembles being struck by water. Zhang Jingyue states: "For any injury to sinews and bones, whether bleeding occurs or not, the blood will surely stagnate, and the meridians will surely be obstructed. Stagnation of Qi and blood causes the body to swell. It may resemble dampness in the meridians, appearing similar to being struck by water." Gao Shishi states: "Injury to sinews and bones should not involve bleeding. If bleeding has occurred, the Heart Qi is also damaged, similar to sweating and then feeling damp, as if struck by water. Water enters through sweat pores and damages Heart Qi." In Wu Kun's edition, the twenty-five characters starting from "Liver and Kidney" are moved below "Ren Mai Bo Jian Er Chang... until it never recovers." The annotation states: "When Liver and Kidney pulses arrive together, they are firm and long, and also deep and stone-like. The complexion should be cyan-black. Seeing cyan-red now indicates it is not a Liver/Kidney disease, but rather trauma without bleeding. Likely, sinew injury manifests as cyan color, vessel injury as red color. If bleeding has occurred, the pulse is firm and long." Or it presents as damp-fluid retention with a deep, sinking pulse; or it presents as water disease. Commentary notes: This section does not connect smoothly with the context above and below; there is suspected textual loss or error.
[Image]
[Image]
The inner sides of the Chi area correspond to the hypochondrium. Commentary notes: Wang Bing annotates: "Chi Nei refers to the interior of the Chi Ze acupoint." This is the location for diagnosing the skin of the forearm (Chifu). The *Pingren Qixiang Lun* (Chapter on Normal People and Pulse Images) states: "Rough Chifu with slippery pulse, cold Chifu with fine pulse." Wang Bing also annotates: "Refers to Chifu." The *Xiéqì Zàngfǔ Bìngxíng Piān* (Chapter on Pathogenic Factors and Zang-Fu Diseases) states: "One who is skilled in regulating Chifu does not need to wait for the Cun pulse." It also states: "The correspondence between facial color, pulse, and Chifu is like the striking of a drum or the shadow following the form." The *Lun Ji Zhen Chi Pian* (Chapter on Discussing Diseases by Diagnosing Chifu) states: "Moist Chifu," and also: "Weak flesh at Chifu." *Nanjing* Chapter 13 states: "If the pulse is rapid, the skin of Chifu is also rapid; if the pulse is tight, the skin of Chifu is also tight." The *Shiji* Biography of Cang Gong also states: "Palpate the pulse, trace the Chifu." Zhang Zhongjing states: "Palpating Cun without reaching Chi." All these illustrate this concept. As for why it is called "Chi," *Shuowen Jiezi* states: "Chi is ten Cun." The arterial pulse at the wrist, ten Cun backward from the tip of the thumb, is called Cun Kou. Ten Cun constitutes Chi. Chi is used to indicate standards/rules. The character consists of 'Shi' (Corpse/Body) and 'Yi' (Mark). In Zhou dynasty systems, measures like Cun, Chi, Zhi, Xun, and Ren were all based on human body dimensions. Xu Kai states: "*Kongzi Jiayu* says: Spreading fingers knows one Chi; extending the arm knows one Xun. (*Da Dai Liji* says: Spreading fingers knows one Cun; spreading hand knows one Chi; extending arm knows one Xun.)" Clearly, "Chi" here refers to the one-Chi segment of the inner arm, absolutely not the "Chi" position in the Cun-Guan-Chi three positions. The Cun Kou is divided into Cun, Guan, and Chi. In the *Nanjing*, scholars like Ma Shi and Zhang Jingyue interpreted "Chi" using the Cun-Guan-Chi system, which deviates significantly from the original intent of the classic. Based on Wang Bing's interpretation and the text, looking at the left side of the diagram.
Used to observe the abdomen. Zhang Zhicong and Gao Shishi both attach the character "Zhong" (Middle) to the following sentence, reading it as "Wei Zhong Fu Shang" (Attach to the middle), which is correct.
Left exterior observes Liver; interior observes Diaphragm. He Mengyao in *Yiquan* states: "Heart, Lung, Liver, Kidney are Zang organs. They are observed externally; the thoracic diaphragm wraps these organs. Observing internally seems to be a transcription error. It should be analogized to Stomach external/Spleen internal, swapping positions would be correct." Commentary notes: This argument has merit. However, whether the old text was indeed so is hard to confirm.
Anterior observes anterior; posterior observes posterior. Commentary notes: Anterior refers to the Yin meridian aspect of the arm. Posterior refers to the Yang meridian aspect of the arm. The *Lun Ji Zhen Chi Pian* states: "Heat exclusively at the front of the elbow indicates heat in the chest/front; heat exclusively at the back of the elbow indicates heat in the shoulder/back." This illustrates the point. Wang Bing considered Left as Anterior and Right as Posterior; subsequent commentators followed him, which is incorrect.
Upper attachment, right exterior observes Stomach. In the Song edition, "Stomach" is written as "Lung"; all other editions agree, but it should be corrected to Stomach.
Matters of the knee, shin, and foot. The *Jiayi Jing* lacks the character "Foot".
Pulse is coarse and large. Commentary notes: Below this, the pulse image is used to observe the excess or deficiency of Yin/Yang, Evil, and Righteous Qi, which differs naturally from the meaning of Chifu.
Arrival is rapid, departure is slow. Shou Shou in *Zhenjia Shuyao* states: "Arrival" is from the depth of muscle/bone emerging to the surface of the skin, representing the rising of Qi. "Departure" is from the surface of the skin returning to the depth of muscle/bone, representing the descending of Qi. Commentary notes: Wu Kun and Zhang Jingyue follow Shou Shou's explanation.
Upper excess, lower deficiency. Wu Kun states: "Pulse rising from Chi position to Cun Kou is 'Up'; descending from Cun Kou to Chi position is 'Down'." Commentary notes: The distinction of Cun and Chi is a post-*Nanjing* concept and should not be adopted here.
Jue leading to vertex disease. Ma Yin states: "The disease should be Jue disease, and also vertex disease." Wu Kun states: "It is Jue Ni (rebellious Qi) and epileptic collapse disease." Gao Shishi states: "Qi only rebels upward and does not descend, thus becoming vertex disease." Similar to the previous statement "Jue becomes vertex disease."
Due to aversion to wind, thus those struck by evil wind. Wu Kun states: "Yin excess and Yang deficiency cannot withstand wind and cold, thus causing aversion." Zhang Jingyue states: "'Wu' (Aversion/Hate) is read with the departing tone (4th tone); the second 'Wu' is read with the entering tone (entering sound)." Zhang Zhicong states: "Wind is a Yang pathogen, damaging Yang Qi in the skin. Severe wind enters directly from Yang into Interior Yin. Therefore, the lower is excess, the upper is deficient; Yang deficiency and Yin excess cause aversion to wind." Gao Shishi states: "'Wu Feng' refers to Leprosy (Li Feng)." Commentary notes: Both instances of "Wu" are read with the entering tone; Zhang Zhicong's annotation is correct.
Shaoyin Jue. Zhang Jingyue states: "Deep and fine is the pulse characteristic of the Kidney. Accompanied by rapidity indicates heat, Fire within Yin. Thus it becomes Shaoyin Yang Jue."
Chills and fever. Gao Shishi states: "Heat has Yin and Yang aspects. Clarifying that a deep, fine, and scattered rapid pulse is not the excessive Yang heat of a coarse/large pulse, but rather chills and fever due to Yin excess and Yang deficiency." Commentary notes: This is also deficiency-labor chills and fever. Gao's annotation is correct. However, in cases of Yin deficiency with fire hyperactivity, the pulse may also be deep, fine, rapid, and scattered; one must not adhere rigidly to one view.
All floating pulses but not restless. Zhang Jingyue states: "Floating pulse belongs to Yang; restlessness is Yang within Yang. Therefore, floating without restlessness belongs to Yang pulses and inevitably involves heat. If floating and restless, it represents extreme Yang. Thus, the disease is in the Hand meridians. 'Hand' refers to Yang within Yang, i.e., the Three Yang Meridians of the Hand." This is consistent with the *Zhongshi Pian* (Chapter on End and Beginning): "Renying pulse one-fold excess, disease in Foot Shaoyang; one-fold excess and restless, disease in Hand Shaoyang."
All fine and deep pulses. Zhang Jingyue states: "Deep and fine belongs to Yin; stillness is Yin within Yin. Therefore, a pulse that is merely deep and fine indicates disease in the Yin division, likely bone pain. If deep, fine, and still, it represents extreme Yin. Thus, the disease is in the Foot meridians. 'Foot' refers to Yin within Yin, i.e., the Three Yin Meridians of the Foot."
Rapid, moving, and intermittent pulse. Wu Kun states: "Rapid is a Yang pulse. Yin is solidified externally, Yang battles internally, causing the pulse to tremble violently, named 'Dong' (Moving). If the pulse stops once after five beats, or once after seven beats, without further change, it is named 'Dai' (Intermittent). This is Yang knotting. Thus the disease manifests as slippery diarrhea/dysentery, and also bloody stool/pus." Wang Ang states: "'Shu' (Rapid) is read with the departing tone. Annotation notes: Ma's annotation reads 'Shu' with the entering tone. 'Shu' means heat, thus causing bloody stool; this is incorrect." Zhang Zhicong states: "Yang heat in the meridians causes rapid/moving pulse. Heat damages the Blood division, causing bloody stool/pus. Blood loss downward causes the intermittent pulse."
All abnormal pulses. Wu Kun states: "'Guo' means the pulse has lost its normal rhythm."
Yin and Yang both in excess. Ma Yin states: "If Slippery and Choppy pulses appear together, and both Yin and Yang are in excess, then Yang excess causes no sweat, and Yin excess causes cold body. Both symptoms should appear simultaneously." Commentary notes: Slippery and Choppy pulses are opposite; how can both appear simultaneously?
Push outward but not inward; push inward but not outward. Zhang Jingyue states: "Below discusses the method of examining disease. One must deduce via the pulse to resolve doubts. If the disease is in the Exterior, one seeks it in the Exterior; however, if the pulse is deep, slow, and not floating, it is in the Interior, not the Exterior. Thus, one knows there is accumulation in the Heart and Abdomen. 'Tui' (Push/Deduce) is pronounced 'Chui'. Interpreting it as 'pushing forward/expanding' is incorrect." Commentary notes: Wu Kun, Ma Shi, and others follow Wang Bing, interpreting 'Tui' as expanding. Wang Ji subsequently treated 'Tui' as a specific pulse diagnosis method (seen in *Maijue Kanwu* appendix). This is unacceptable.
Push inward but not outward; push outward but not inward. Zhang Jingyue states: "If the disease is in the Interior, one seeks it in the Interior; however, if the pulse is floating, rapid, and not deep, it is in the Exterior, not the Interior. Thus, one knows there is heat in the body."
Push upward but not downward; push downward but not upward. Zhang Jingyue states: "When seeking in the Upper part, if the pulse is only visible in the Upper, while the Lower is weak, this is due to ascending without descending, upper excess and lower deficiency, causing coldness in the waist and feet."
Push downward but not upward; push upward but not downward. Zhang Jingyue states: "When seeking in the Lower part, if the pulse is only visible in the Lower, while the Upper is deficient, this is due to descending without ascending, Clear Yang cannot reach the top, causing headache and neck pain." Note: In the *Jiayi Jing*, the phrases "Upward but not downward" and "Downward but not upward" are swapped compared to the main text, making them seem more parallel. However, if it is "downward but not upward," why would the waist and feet be cold if Qi/Pulse is in the lower? Furthermore, the first two sections of the classic speak inversely, while the latter two speak directly. One inverse, one direct, both capture the meaning. The main text should prevail. Commentary notes: Zhang Jingyue's annotations for these four sections are comprehensive; we follow him. Zhang Zhicong states: "'Tui' means detailed examination. Detailed examination of the bias of Qi pulse towards exterior/interior/up/down." This is also based on Zhang Jingyue's view.
Press to the bone, pulse Qi is scanty. Gao Shishi states: "If pressing to the bone yields no response to the finger, and pulse Qi is scanty, this is Yin excess and Yang deficiency. The generating Yang Qi cannot ascend upward. There should be lumbar/spinal pain and Bi syndrome in the body." This follows the discussion of diseases in up/down/out/in to explain that pulse diagnosis also has methods regarding exterior/interior/up/down. This answers the Emperor's question about diseases fluctuating between interior and exterior. Thus.